School of Arts & Humanities

Jesse is an artist working in a variety of media, exhibiting regularly in solo and group projects hosted by institutions, museums and commercial galleries worldwide.

Felicity is an artist of international standing, recognised for her research into large-scale ceramics.

Jordan is a visual artist, filmmaker and Reader in Time-based Media at the Royal College of Art.

Gemma is an art historian, writer and curator with an international reputation for research on modernist portraiture and figuration, and its intersection with contemporary art.

Rut's work as an artist and photographer concerns the representation of the city and the phenomenon of the urban, combining formats from large-scale photographic work.

Jonathan Boyd is a multi-award-winning artist, jeweller and academic working in a variety of materials, specialising in conceptual and narrative-led artworks. His research focuses on exploring the relationships of language and object.

Heike is an internationally recognised artist specialising in cast glass sculpture whose work focuses on the interaction of colour, form and light.

Mel Brimfield's diverse interdisciplinary collaborative practice is rooted in scripted performance, incorporating live work, moving image, staged audio, installation, photography and drawing.

Alongside exhibiting his studio work internationally for many years, Steve has taught regularly as a visiting lecturer and senior tutor on the programme since 2003.

Annie Cattrell has lectured in many art colleges, and exhibits widely both nationally and internationally.

Sarah's research and teaching focuses on East Asian material culture, gender and the body, with a special interest in fashion exchanges between China and Britain, and on fashion, race and cultural expression.

George Clark is an artist, writer and curator. His work explores the history of images and how they are governed by culture and technology as well as social and political conditions.

Gary has over 25 years’ experience in the higher education sector, with a specialist focus in international and transnational education.

Nicky Coutts is an artist working in a variety of media, exhibiting regularly in solo and group exhibitions hosted by galleries and institutions worldwide.

Ben is interested in the curatorial as a contemporary cultural phenomenon and a mode through which to consider our relationship to the contemporary moment.

Kate has an independent sculpture practice and additionally works collaboratively with Scottish artist David Moore under the banner of ME-WE Productions.

Denise is a sculptor, living and working in London, who produces and exhibits ceramic works under the name Amy Bird.

Rebecca's work has been shown in exhibitions at home and internationally and is represented in several collections including the Crafts Council, Birmingham Museum and the Goldsmiths' Company.

Anne is a cultural producer and runs the independent nomadic platform: A---Z.

Chantal is an artist and writer whose photographic, painting, video and installation works have been exhibited globally.

Born in a crossfire hurricane in Chicago, Illinois, Pamela studied at the School of the Art Institute of Chicago. Her cross-cultural work has exhibited extensively throughout Europe and America.

Johnny’s work situates post-Newtonian analytics, new materialisms and the erotics of sense as ‘radical matter’, a practice-led encounter with contemporary philosophy, art and the wild sciences.

Rebecca is a curator with over ten years’ experience and an academic background in modern languages, political science and art history.

Graham's artwork relates to the field of psychology and the philosophical and scientific questions of mind and body.

Antje exhibits her jewellery in the UK and Europe, and has worked as a design consultant and industrial designer.

Melanie's multidisciplinary practice involves modes of non-fiction storytelling – through space/objects/text/moving image and sound.

Juliet is a writer, filmmaker and podcast host who is interested in modernist and postmodernist art, literature, film and music, radical politics and LGBTQI+ issues.

Dick is an artist/printmaker and filmmaker who still continues to work commercially as a cameraman within both the fashion and music industries.

Sarah’s photographic practice has examined the consulting space used for psychoanalysis, in particular ‘the couch’ as subject.

Jaspar is a London-based artist, whose work explores the role images play in urban planning, social space and everyday praxis.

Josephine (Josie) is a design historian with a special interest in pleasure, modernity and the architectural environment, from the nineteenth century to the present day.

Peter's political photomontage and installation work has been widely published and is in many major collections.

Pil is an artist, writer and curator; he works collaboratively with Dr Galia Kollectiv to make work which explores the relationship between art and politics.

Emily runs the Writing programme's annual collaborative project and leads critical reading seminars focusing on non-fiction prose, the essay form and modes of experimental, interdisciplinary writing.

Kelly is an artist, curator and educator. She makes process-based, live projects that engage performance and social choreography to critically explore the relationship between individual and collective agency.

Bob is an artist and exhibition organiser whose work is held in public and private collections in Europe, Asia and the United States.

Jonathan is a painter and writer both of theoretical essays and fiction.

Jeremy Millar is an artist, and has curated numerous exhibitions and written extensively upon contemporary art.

Ken has over two decades of teaching experience and has held senior academic posts at The Glasgow School of Art since 2006.

Peter specialises in research focusing on materials, making, manufacturing, luxury goods and artworks.

Harold is currently tutor in MA Contemporary Art Practice and a visiting lecturer in MA Print. Working across all the pathways in CAP, he mostly engages with students through one to one tutorials, seminars and workshops.

Sally O’Reilly writes for performance, page and video.

Tim has developed an eclectic working practice that is rooted in the overlapping spaces between art, science and literature.

Francette's research concerns the image understood not simply as optical event but as a complex of psychical processes set in motion by desire, indissociable from language.

Meg is an artist whose work is concerned with the social and ethical implications of various forms of technically produced images.

Olivier's photographic practice proposes an investigation and celebration of the artifice of representations and his essays are informed by art history, philosophy, literature and psychoanalysis.

A practicing artist and designer, David’s work focuses on innovation and expanding the discourse of Jewellery.

Regarded as a leading figure in contemporary studio metal, Michael's radical approach laid the foundations for an expanded practice in the crafts.

Aura is an artist who has performed, exhibited and screened her work nationally and internationally.

Tai's multidisciplinary practice revolves around experimental narrative texts that alternate between familiar narrative tropes and structures and theoretical prose.

Simon Sladen is responsible for the History of Design’s Performance pathway and supervises dissertation students working on performance-related topics.

John is a writer and critic based in London. He works through producing writing and criticism with a specialist interest in art, language and sign.

Alexandria is a mixed media visual artist and co-organiser of the collective Black Women Artists for Black Lives Matter.

Katie's practice combines clay with a range of processes including animation and installation.

Sarah uses diverse media and mediums to investigate current interests and obsessions, producing an expanded notion of sculpture with a regard for sculpture’s social potential.

Jo has exhibited internationally, often making work from commissions or through residencies that explore the history of a site.

John’s work draws on the graphic iconographies of pop, political satire and the vernacular as well as more historical references to the esoteric traditions.

Shehnaz is a writer, curator, critic and cultural theorist whose main research themes are the politics of the body.

Spike's research into the Port of London in the eighteenth century considers the construction of markets, both as concrete objects and explanatory categories.

An artist and academic based in London, Emma is represented by galleries in Düsseldorf, Amsterdam and Basel and works closely with Arcadia Missa London/NYC

Joanne works in collaboration with Tom O’Sullivan to produce interrogative works that question the social role, function and status of contemporary art.

Finlay’s work explores natural phenomena and landscape, often engaging with specific sites and species.

Edward works with trained and untrained performers to make videos and plays that explore how performance is used to navigate personal, interpersonal and occupational problems.

Milly's diverse practice focuses on pleasure, hypocrisy and self-promotion.

Dr. Valeriani is an historian of architecture and technology, with a background as a building archaeologist.

Victoria is a curator and active researcher whose projects span from the post-war period to the contemporary.

Max exhibits widely, at venues such as the Victoria & Albert Museum, Gallery SO London, National Museum of Scotland, Gallery Marzee Nijmegen and the Design Museum in Ghent.

Grant is a curator and researcher based in London who specialises in Curatorial Theory.

Hermione's work, which examines maternity, gender politics and modernity, is held in major collections including the Arts Council, the Walker Arts collection and the Weltkunst Collection.

Isabel is an interdisciplinary practitioner and researcher working three-dimensionally within contemporary art practice, and on the aspect of current theory surrounding ‘expanded painting’.

Despina radically re-thinks performance art as ‘Spatium Monstrorum’: ‘surface’ occupied only by intensities, locus of parrhēsia, stage of trauma, event of Beauty and philosophy-as-embodied practice.