School of Arts & Humanities
- Critical & Historical Studies
Jonathan Miles is a writer both of theoretical essays and fiction as well as being a painter.
Jonathan Miles has exhibited in White Columns (New York), Venster Museum (Rotterdam), Gallery House, Riverside Gallery, Civic Room and DomoBaal Gallery (all London). In the early 1980s, he was the London Editor of ZG Magazine (London and New York). Recent publications include catalogue essays for Haris Epaminonda, Daniel Cramer, Mustafa Hulusi, and texts for Material Magazine (Los Angeles) and Undo (Cyprus). He is on the Editorial Board of Material Magazine, Los Angeles.Show more
Recent publications and exhibitions include:
The Mystics, Civic Room, London, 2010
‘The Dazzle of the Last Image’ Material Magazine, Issue 2 (Los Angeles), 2009
Reading at the Whitechapel Gallery, 2010, broadcast
Jonathan Miles’ exhibitions invariably consist of a combination of short stories combined with a series of paintings. Fiction is employed as a means of disturbing the subject position of the paintings in ways that do not allow the spectator to settle on any given truth.Show more
Jonathan Miles has recently been working on two main projects. The first is a work called Addiction: Exscription consists of a short novel (50,000 words) and a series of a thousand small paintings. Each of the two components could be understood as a single entity but equally they might be considered as being linked. The second stage of this project will involve the construction of a body of work that emerges from the two main fictional characters of the novel.
The second project is a series of small reliefs that have a fictional setting in the 1930s. Stylistically, they combine both Art Deco and Constructivist rhetoric without being either. Aesthetically, they might be understood as impossible objects, strange exiles of a world that never materialised.