Update you browser

For the best experience, we recommend you update your browser. Visit our accessibility page for a list of supported browsers. Alternatively, you can continue using your current browser by closing this message.

Rut's work as an artist and photographer concerns the representation of the city and the phenomenon of the urban, combining formats from large-scale photographic work.

Rut studied Political Science in Duisburg, Germany, before attending the London College of Printing to complete her BA in Photography in 1993. She graduated with an MA in Photography from the University of Westminster in 1996.

Her first monograph, London – A Modern Project, appeared in 1997 and included an essay by Michael Bracewell; it was followed by Liebeslied/My Suicides, with text by Alexander Garcia Düttmann in 2000. In 2004, the photobook, ffolly, with texts by Cerith Wyn Evans, Patrick Lynch, Douglas Park, was published by ffotoworks. The most comprehensive monograph on her work, Commonsensual, was published by Black Dog in 2009 and includes a critical essay by Regis Durand. In 2012, the Museum Simeonstift in Trier, Germany held a survey show of her work, Lustgarten.

Recent projects include: Silver Forest (2016) an architectural installation on the western façade of Westminster City Hall; and London Dust (2011–13) a series of photographs and a film that trace the rapid architectural transformation of the City of London in relation to the development of CGI photographic representation. She created the iconic cover for the The Streets’ Original Pirate Material.


More information

Rut Blees Luxemburg works with large-format photography to propose alternative visualisations of the urban space.

Rut has exhibited widely throughout the UK, including the solo exhibition Phantom, a photographic exploration of Modernity’s imprint on the architecture of Dakar, Senegal, at Tate Liverpool in 2003. In 2007, she was commissioned to create a public art installation for the London Underground at Terminal 4, Heathrow Airport and produced a work titled, Piccadilly’s Peccadilloes.

Rut frequently contributes to a range of discursive platforms. In 2012 she was a guest on The Forum: Night - Friend or Foe, a programme produced by BBC World Service, while in 2013 she participated in the event, Photography and the Ethnographic Archive, at the Weltkulturen Museum, Frankfurt.

London Dust

London Dust (2011–13) is a series of photographs and a film that trace the rapid architectural transformation of the City of London. The photographs continue Blees Luxemburg’s on-going research into urban aesthetics and the representation of contemporary cities. Reflecting on the ‘lumicity’ of each location, the work projects the hidden tensions and desires that affect the shaping of the future city.

Photographs from London Dust are featured in photomonitor with an essay by Blees Luxemburg titled ‘Space and Light’. Selected works were shown in the publication New Narrative at the Digital Art Center, Taipei (2011). Other exhibitions where this work has been shown include Dérives et des Rêves, Chateau d’Oiron, France (2012) which brought together the utopian architectural works of Archigram, OMA, Coop Himmelblau in relation to artists’ representation of future cities.

Blees Luxemburg will present this research in a paper, London Apex – Urban Photography between Construction and Vision, as part of a symposium at the School of Architecture at the University of Frankfurt.

Objects of Desire in an Ethnographic Collection – Research in the Weltkulturen Museum, Frankfurt

The research investigated the Museum’s ethnographic collection and image archive, with Blees Luxembourg conducting fieldwork in its stores and archives. Historically, photography has played an important part in the representation of foreign cultures, and these photographic records speak of the complexities of the colonial, as well as the ethnographic, gaze. The group research analysed the different ways in which ‘tribal art’ and ethnographic objects have been staged in studio photography, as well as the systems and categories with which the Museum operates to store and accumulate its archive and collection. The exhibition focused on the research aspect of the investigation, and included work in progress, books and other related research materials.

A further selection of the photographic works, made by Rut Blees Luxemburg  during her research, will be shown in the   exhibition Foreign Exchange – field report of an ethnographic collection at the Weltkulturen Museum in January 2014, accompanied by a publication with texts by ethnographers, historians and social anthropologists.


Blees Luxemburg’s survey exhibition Lustgarten presented large-scale photographs exploring global cities such as London, Dakar, Santiago and New York. The work investigates how to develop an alternative reading of urban space, through focusing on mnemonic fragments and luminous compositions, which de-construct established representations of the urban realm.

A catalogue, including texts in German and English by art historian Anne Hoffmann and sociologist Richard Sennett, was published in conjunction with the exhibition. 

Blees Luxemburg developed the ideas that underpinned Lustgarten at conferences including: Yingxiang Today (Shadow Image), Fifth Annual Conference of CCVA, The Central Academy of Fine Arts, Beijing and China Academy of Art, Hangzhou, China (2011); Photography and The City, University of Westminster, London (2011); Exhibiting Photography, International Conference, University of Westminster, London (2011); Photography and the Practice of Walking, Urban Encounters, Goldsmiths College London (2010). 


This monograph is a comprehensive survey of the work of Rut Blees Luxemburg covering the period 1995-2009. Thematic passages reconfigure Blees Luxemburg’s practice and include the artists forays into opera and public art.   The title ‘Commonsensual’ refers to Blees Luxemburg’s interest into an understanding of the city that is formed by the sensory and sensual qualities of an urban perception, such as intensities of light, sensuality of surfaces and the proximity of the ground.  

Selected Public Art Installations

(2018) #the lesson of the vine, Leiwen/Mosel, Germany

(2016) Silver Forest, Westminster City Hall, London

(2015) The Teaser, Courtyard, Somerset House, London,

(2007) Piccadilly’s Peccadilloes, Heathrow Terminal 4, Platform for Art, London

(1998) Caliban Towers, com. muf architects, Old Street, London

Selected Solo Exhibitions

(2014) London Dust, Museum of London, London, 2014/15

(2012) Lustgarten, Stadtmuseum Simeonstift, Trier, Germany

(2004) Liebeslied/My Suicides (opera), ICA, London

(2004) ffolly, Glynn Vivian Art Gallery, Swansea

(2003) Phantom, Tate Liverpool, Liverpool

Selected Commissions

(2008–2009) Normandie – voyages pittoresques, photographic commission by Le Point du Jour, Cherbourg, France

(2007) Piccadilly’s Peccadilloes – Public art Installation in Heathrow Airport, commissioned by Platform for Art

Selected Group Exhibitions


London Nights, Museum of London


A Handful of Dust, Whitechapel Gallery, London

À Pied D’œuvre(s), 40 years of the Centre Pompidou, Monnaie De Paris, Paris

Comme une histoire, Musee Malraux, Le Havre


Territoires rêvés, Musée des Beaux-Arts de Caen, France

Icarus Project, Espace KUU, Taisho University, Tokyo, Japan

No Fun Without EU: Artists in Common, 4Cose, London

Daydreaming with Stanley Kubrick, Somerset House, London,

A Needle walks into a Haystack, Tate Liverpool, Liverpool Biennial

Foreign Exchange, Weltkulturen Museum Frankfurt, Germany

Observers, Photographers of the British Scene from the 1930’s to Now, British Council exhibition, Galeria de Arte do Sesi, Sao Paulo, Brazil

New Narrative, Digital Arts Centre, Taipei, Taiwan

Prix Découverte des Rencontres d’Arles, France,

elles @ centrepompidou, Centre Pompidou, Paris

In Limbo, Denver Art Museum, USA

A Bigger Splash: British Art from Tate, Oca, Sao Paulo

Where Are We? Questions of Landscape, Victoria and Albert Museum, London

Potent Present, CCAC Institute, San Francisco, USA

Modern Times I, Hasselblad Center, Gotheborg, Sweden

Remix: Images photographiques, Musée des Beaux-Arts de Nantes, France

De Très Courts Espaces de Temps, Biennale de l’Image, Paris

Sightings, ICA, London

Public Relations, New British Photography, Stadthaus Ulm

Never Walk Alone, Photographers' Gallery, London

Desiring Practices, RIBA/Shepherd’s Walk, London

Selected Publications

Blees Luxemburg, R. (ed.) (2014) Science & Fiction, London: Black Dog

Blees Luxemburg, R. (ed.) (2013) Waving Flags, (Photography and Translation), London: Black Dog

Blees Luxemburg, R. (ed.) (2012) Seeing for Others, 2012, London: Black Dog

Blees Luxemburg, R. (ed.) (2011) Hardcover – Image Perspectives, London: Black Dog

Blees Luxemburg, R.; Nancy, J-L; Garcia Duttmann, A. and Richon, Olivier (eds.) (2010) Picking Up – Bouncing Back, London: RCA


Blees Luxemburg, R.; García Düttmann, A.; English, S. (2014) The Academic Year, London: SPBH Editions

Durand, R.; Park, D. and García Düttman, A. (2009) Commonsensual: The Works of Rut Blees Luxemburg, London: Black Dog Publishing

Lynch, P.; Park, D. and Wyn Evans, C. (2003) ffolly, ffotogallery/Glynn Vivian

García Düttmann, A. (1999) Liebeslied/My Suicides, London: Black Dog Publishing

Bracewell, M. (1997) London – A Modern Project, London: Black Dog Publishing

Selected Conferences, Talks and Debates

Ten Ideas for the London Public Space Charter in the Night Time, A Manifesto for Darkness by Rut Blees Luxemburg, Architecture Foundation, London Garden Museum

#the lesson of the vine by Rut Blees Luxemburg, Extra City Kunsthal, Antwerpen, Belgium

Rut Blees Luxemburg on Public Art and Public Space, The Exchange Floor, Croydon 

A Question of Colour (round table discussion with David Campany and Lucas Blalock for Paris Photo), Grand Palais, Paris

Notes on the Index: Photograph, Trace, Subject, Whitechapel Gallery, London

Schools: What’s Next? with Rut Blees Luxemburg, Tom Hunter and Bruno Ceschel, chaired by William A. Ewing, Photo London, London

Speaking in Brogues: Marina Warner in conversation with Rut Blees Luxemburg, Maria Aristodemou and Mattia Gallotti, Birkbeck College, London

How to Create Magic: an Artist’s View, Rut Blees Luxemburg, Gordon Cheung, Wendy McMurdo, DACS, London 

Rut Blees Luxemburg, Prix Pictet Conversations on Photography, Whitechapel Gallery

Rut Blees Luxemburg in Conversation with Joy Gerrard on Crowds, Precarious Freedom and Black Ink, PEER, London

(re:)Thinking the Street, Urban Encounters Conference, Tate Britain, Keynote

London’s Squats and Counterculture: 1970s to Now, panel debate with Peter Doig, Rut Blees Luxemburg, Viv Albertine & Jimmy Cauty, chaired by Neal Brown, ICA, London

Data and Desire, Michael Salu & Rut Blees Luxemburg, London Literary Festival, SouthBank Centre, London

London and the Narrative of the City Space, Tim Marlow and Rut Blees Luxemburg, Photo London, Somerset House, London

Blees Luxemburg's work has been widely written about, with recent scholarly treatments including:

Collard, D (2016) 'Michelangelo Antonioni’s Plot Development', TLS -The Times Literary Supplement, London http://www.the-tls.co.uk/articles/public/swinging-sixties-focus/

Nancy, J-L. and Garcia Duttmann, A. (2014) 'London Dust, Rut Blees Luxemburg, London' frieze.com

Sassen, S. C. (2011) 'Strategic Geographies, Challenge of their Visualization', Mutations, Perspectives On Photography, Germany: Steidl

Poivert, M. (2010) La Photographie Contemporaine, Paris: Flammarion

Campany, David (ed.) (2003) Art and Photography, London: Phaidon

Silver Forest

Silver Forest is a permanent large-scale public work installed in 2016 on the western façade of Westminster City Hall. The project, realised in collaboration with Lynch Architects, brings together art, architecture, urban planning and design innovation.

Running the length of Westminster City Hall, the seven-metre-tall artwork depicts six photographic views of nocturnal, urban silver birch forests in locations from London to Beijing, which draw attention to the fragile relationship between nature and the city.   

FILET – a Space for Experimental Art Production

FILET is a space for experimental art production in the vicinity of the ‘Silicon Roundabout’ of Old Street. Founded in 2015 with Uta Kogelsberger, FILET is a physical space in a local neighbourhood, where ideas on art and art production are tested out. FILET works like a research laboratory: artists with different practices are invited to the space to realise exhibitions, readings and performances, to engage with different audiences and to develop sustainable strategies for producing, disseminating and showing contemporary art.

Weltkulturen Museum, Frankfurt

Rut Blees Luxemburg has developed a group research project at the Weltkulturen Museum in conjunction with the Photography Programme of the Royal College of Art. Selected students,  Ph.d candiates and alumni as well as Professor Olivier Richon were researching in the museum’s object collection and photographic archive. The outcome of the group research was exhibited at the Weltkulturen Museum’s Green Room project space in 2013 under the title Scharf belichtet - Objects of desire in ethnographic collections. Selected works from the research project will be shown in a major exhibition opening at the Weltkulturen Museum in January 2014, entitled Foreign Exchange – field report from an ethnographic collection.