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Luke Pendrell

Info

  • Luke Pendrell
  • Area

    School of Communication

    Role

    Senior Tutor (Research)

  • Luke Pendrell is an artist and writer whose work explores the shifting and porous edges of our sensoria. Interposing elements of science, philosophy and the occult, he investigates the frameworks and fictions we construct to make sense of the world. 

  • Biography

  • Luke studied Fine Art at the Bretton Hall Campus of the University of Leeds before completing his MA at the Royal College of Art. His work has been performed, screened and exhibited internationally for over 20 years in institutions and art galleries including Tate Britain (London), the British Film Institute (London), the Barbican (London), MoMI (NY), Institute of Contemporary Art (London), MoMA (Sydney), Cal Arts (LA) Le Salle de Legion d’honneur (Paris) and the ICC tower Open Sky Gallery (Hong Kong).

  • Practice

  • Luke's practice incorporates an eclectic collage approach to film, experimental writing, photography, installation and performance. 

    His work questions the strategies we deploy in order to explain and sometimes exclude unwanted incursions of alterity. Chance and collage are invoked as methods to construct disrupted narratives that embrace the uncanny, the weird and the eerie and bypass the limitations of empirical systems of knowledge and ownership. By weaving together found material with new narratives, seemingly disparate fragments are reconfigured to challenge the apparent order of things and open spaces for the possibility of imagining alternate readings of time and space.

    Accordingly, Luke's work strays across a range of formats, incorporating texts, images, audio-visual works and performance. His practice considers art and aesthetics not just in the abstract and sublime, but in the force and traction of images in the world to invoke an emancipatory politics.

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  • Publications, exhibitions and other outcomes

  • Selected Publications

    Pendrell, L. 2019.  Remote Vision Experiments: A Photo Roman, Angelaki, 24(1)

    Pendrell, L.& Trafford, J. 2017. 'Hard Wired Hegemony', Modes of Criticism, Eindhoven, Onomatopee

    Pendrell, L. 2015. The Shape of the Void, Design Ecologies 4.1: Tipping Points, Intellect

    Mackay, R., Pendrell, L. & Trafford, J. eds., 2014. Speculative aesthetics, Falmouth: Urbanomic

    Branagan, B., Pendrell, L & Verhoeven,E. 2011. Submerged Territories: Doggerland, London: Ponsonby Press

    Pendrell, L. (2008)  'You can telephone from here: on the methodology and ontology of covert surveillance photography' Fusco,M., The Happy Hypocrite, (4) A Rather Large Weapon, London: Bookworks

    Selected Exhibitions, Screenings and Performance

    Fractal Egg Karaoke Klub, Project 78 GallerySaint Leonards, England, Aug 2019

    The Ghost of Fanny Boscawen, Hatchlands Park National Trust, Guildford, 2018

    Mr. Dynamite, LSFF, ICA, London, 2018

    FUGUE STATE (performance) BRETURN, Kabinet Müz, Brno, Czech Republic, 2017

    Submerged Territories, (broadcast) Resonance FM, London, 2017

    Submerged Territories, Possible Probable Worlds, LDF, 2017

    Fugue States (solo show) Vacant Seasons, The Chopping Block Gallery, London, 2017

    Terminal Velocity, Our Machines, DRHA, Brighton, UK, 2016

    Superluminal, The Big Screen, Latitudes festival, UK, 2016

    Superluminal, Open Sky Gallery, (Installation) ICC tower, Hong Kong, 2016

    Bad infinity 2.0 (two-person show with James Trafford) Xero, Kline & Coma, London, 2016

    Ignis Fatuus, ISEA, Vancouver, Canada, 2015

    Apohenia, (multi channel installation) DISRUPT: Late at Tate, Tate Britain, London, 2015

    Ignis Fatuus, (screening) SPECULATE: Late at Tate, Tate Britain, London, 2015

    Broken Symmetries (multi channel installation), DISRUPT: Late at Tate, Tate Britain, 2015

    Ignis Fatuus, &Now 2015: Blast Radius, California Institute of Arts, LA 2015

    antirom, Digital Revolution, The Barbican, London, 2015

    Future Thinking, Showcase Gallery, Southampton,  2015

    antirom, Dead Drops: Insert Disc, MoMI, New York, 2013

    Reverting to Type, Standpoint Gallery, London, 2012

    Make an Icon out of Popcorn, Matts Gallery, London 2010

    35 Books from London, Salon für Kunstbuch, Vienna, 2009

    Blitzkrieg Bop, curated by Claire Price, Man & Eve, London, 2008

    Selected Talks

    Hard Wired Hegemony, Dutch Arts Institute, Cologne, 2017

    Hauntology: In search of Ghosts, RCA, London, 2017

    What was once proven can now only be Imagined London Conference for Critical Theory, 2017

    Mostly I am Satisfied: The Politics of Boredom Rethinking Interaction, UCA Mayday Rooms, London, 2017

    Design & Democracy, RCA, London, 2017

    Ignis Fatuus, &Now Blast Radius, California Institute of Arts, Los Angeles, 2015

    Haunters & the Haunted, Speculative Tate, Tate Britain, London, 2015

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  • Research students

  • Kam Rehal, Julian Stadon, Caleb Madden

Selected work

Research

Current and recent research

Aleister Crowley and Charles Dawson: The Order of the Dawn Man 

This theory-fiction narrative and series of fictioned collaborative collages/paintings is 'authored' by Aleister Crowley and Charles Dawson (creator of Piltdown Man) but realised or 'fictioned' by Pendrell and Pollard. The collaborative collages/paintings imagine the Piltdown Man skull as a hyperstitional portal that activates a supersensible realm 'unthought'. Significantly, the text was written after the paintings were produced, allowing for the materials and process to guide the text into intuitive and unchartered new worlds.

Speculative Tate

Speculative Tate was a ten-month research residency hosted by Tate Britain, constructed for the consideration of open questions regarding the relation between aesthetics and new forms of realism, culminating in three large scale public events. Working collaboratively with James Trafford, the volume ‘Speculative Aesthetics’ (Urbanomic 2014) proposed an examination of the new technological mediations between the human sensorium and the planetary media network within which it now exists and considers how the aesthetic enables new modes of knowledge by processing sensory data through symbolic formalisms and technological devices. 

This project was subsequently developed in collaboration with Adrian Shaw at Tate Britain into ‘Speculative Tate’, a ten-month research residency hosted by Tate Britain, constructed for the consideration of open questions regarding the relation between aesthetics and new forms of realism, culminating in three large scale public events.