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Infra red image of a beaver

Tutors: Daniel Fernández Pascual, Alon Schwabe & Rosa Whiteley

The chosen sites emerge where industrial activity has ceased and something else has taken hold: abandonment, decay, adaptation, or regeneration. Students' projects will explore human-animal intimacies through multiscalar mapping and spatial analysis. “Intimacies” refers to the subtle, often overlooked relations of proximity, dependency, and care that shape how bodies coexist in space.

In ADS3, intimacies are not understood as private, but as part of a broader political project in which relations and attachments unfold through shared metabolism, common language, contested territory, and negotiations around living together on disturbed ground. This approach challenges normative paradigms of land ownership, access, productivity, containment, and ecological value – ultimately producing new architectures and forms of multispecies cohabitation on the ruins of extractivism, through the eyes of donkeys, boar, shrimp, pigeon, buffalo, and many other companions.

ADS3

As habitats are drained, enclosed, built upon, or rendered unliveable, animals dwell in unexpected places, far from industrial pens or idealised wilderness. These encounters spark new love affairs in seemingly unattractive places – brownfields, landfills, wastelands, or urban fringes – scarred by abandonment, enclosure, and extraction.

Starting from species in the process of being de-industrialised or evading neoliberal confinement, ADS3 engages with grazing rights, transhumance routes, seasonal trespass, displacement, biosecurity, allergens, and land-use conflict. Projects may track how these dynamics are shaped by various stakeholders, including big landowners, commoners, travelling communities, agro-industry, and offshore developments. Students will develop spatial proposals alongside a land-use manifesto or policy statement, forging transspecies alliances from a non-human-centric perspective to reimagine architectures of care, resistance, and performance.

A landscape view of a sand or gravel quarry with large piles of excavated material, some water bodies, and a distant treeline under an overcast sky.
A split image showing two stages of "The Truffle" by Ensamble Studio. On the left, a brown calf stands amidst hay bales within a rough, cave-like concrete interior. On the right, a modern, minimalist interior space with a bed and a sea view.

The year will begin with collective work around selected species in the process of de-industrialisation, researching how they engage with humans and post-industrial spaces. These shared investigations will form the basis of a staging methodology: utilising spatial arrangements and choreography to expose human-animal bonds, dynamics of power or access, and cohabitation within a site. This work will be supported by collective feedback sessions, peer-to-peer exchange, and efforts toward non-human perspectives.

A man stands in a dry, grassy field, gently holding the face of a large water buffalo
Birds flying in a large, textured cave or rock formation with a sandy or muddy floor.

ADS3 promotes interdisciplinary thinking, merging architecture and spatial practice with environmental justice, food politics, performance, and field research. Weekly tasks introduce representational strategies that move beyond the singular object to include metabolic processes, seasonal rhythms, and spatial tactics. YR1 students will focus on material development and ecological research, and will be provided with possible sites to work with. YR2 students will identify their own locations. Everyone is encouraged to stage their proposals through varied narratives and forms of re/presentation—proactively guided by their own interests and practices. By treating space as an active participant, students will perform, rehearse, and reimagine the political and ecological relations embedded in disturbed terrains. What kinds of architectures emerge when you can’t look a pig in the eye?

A split image showing on the left a damaged concrete wall revealing a grid of rebar, and on the right, a person in a white hazmat suit standing in a field with numerous small blue flags marking areas on the ground.

Live Project/Field Trip:

This year, ADS3 will combine the sites of the Live Project and the Field Trip. In February 2026, we will travel to Istanbul to visit buffalo herding areas in the post-industrial wetlands of the city, alongside historical and contemporary architectural landmarks. The Live Project will collaborate with CLIMAVORE × Jameel and the RCA’s Water Buffalo Commons project to develop participatory planning tools focused on post-industrial wetland habitats in Northern Istanbul, to be showcased at the 2026 Water Buffalo Festival.

Teaching Day: Tuesday

Daniel Fernández Pascual & Alon Schwabe are the founders of Cooking Sections. In 2015 they coined the term CLIMAVORE, and set it up as a research framework, platform and agency to study food systems for the new seasons of the climate crisis. Tackling the extractive practices that led to them, their work advances new infrastructural horizons through collaborations with marine biologists, botanists, farmers, chefs, fisherfolk, anthropologists, oenologists, soil scientists, herders, and many others living on the frontiers of the climate emergency. They are the Principal Investigators of CLIMAVORE x Jameel at RCA.

Rosa Whiteley is an architectural researcher and designer who explores the intersection between architecture, ecology, and atmospheric politics. She is primarily interested in how toxic-chemical flows rearrange the worlds we live within and how weird ecologies interact with and through human-made atmospheres. In 2021, Operaciones Editorial published Rosa’s first book, Horizontas Rosados. Since 2019, Rosa has worked as a researcher and designer as part of Cooking Sections and she is the Director of Material Research for CLIMAVORE C.I.C. in the Islands of Skye and Raasay.