Meet MA Ceramics & Glass student and Märit Rausing Scholar, Sophie Longwill

What were you up to before coming to the RCA?

I had the privilege of having a studio space at the National Sculpture Factory in Cork for several years. The community there was incredibly supportive, and I cherished the opportunity to collaborate with fellow artists.

How has being at the RCA helped you develop your practice as a glass artist?

Being at the RCA has provided me with invaluable opportunities to hone my practical skills and explore the integration of various techniques. This experience has not only expanded my technical repertoire but has also offered me fresh perspectives on my craft. Moreover, it has opened doors to experimentation and collaboration, allowing me to explore new avenues and push the boundaries of my artistic expression.

How would you describe the experience of working with glass?

Working with glass can be humbling, enchanting and addictive. Working with this material is a continuous learning process, as it presents both challenges and beauty in equal measure. With its limitless possibilities, glass feels almost magical, offering an endless canvas for exploration and creativity.

What's your most rewarding experience or project so far at the RCA?

Without a doubt, it's been the opportunity to forge deep connections with classmates and students. I consider myself incredibly fortunate to be surrounded by such a supportive and genuinely wonderful group of individuals. Through these bonds, I've not only gained friendships but a sense of belonging and support that will endure long after our time at the RCA.

How have tutors or technicians impacted your experience at the RCA?

Technicians play an invaluable role, offering constant guidance and expertise. They are veritable fountains of knowledge, adept at solving any problem that arises. And tutors excel at steering us towards new avenues of research and deeper comprehension. My tutorials have proven immensely beneficial, while lectures have been captivating, providing food for thought that will resonate for years to come.

You have exhibited internationally, do you have any shows coming up?

Yes, I will be exhibiting a piece at Evolution at the Glass Arts Society Conference in Berlin this May. Then at the British Glass Biennale from 26 August to 28 September at the Glasshouse in Stourbridge in the West Midlands, England. I will have a solo exhibition in December at Southern Illinois University in the US at the end of my upcoming residency there.

How has the Märit Rausing Scholarship in Ceramics & Glass changed your overall experience at the RCA?

On a personal level, the scholarship has been a game-changer. Without it, attending the RCA would have been a distant dream due to financial constraints. The reality is that the life of a professional artist often lacks financial stability. The scholarship provided me with an incredible opportunity, especially when I was in dire need of a fresh start.

How would you summarise the value of the Märit Rausing Scholarship in Ceramics & Glass in one sentence?

Very cheesy but honestly – a wish come true!

Why do you believe the support of scholarships is important for aspiring artists today?

Supporting scholarships for aspiring artists is not just important – it's crucial. Access to a quality arts education should be a universal opportunity, particularly for those with talent but limited finances. The arts are integral to the vibrancy of our society, yet they are frequently undervalued.

What are your aspirations beyond the RCA?

Beyond my time at the RCA, I want to delve deeper into my artistic practice through residencies. I am eager to continue honing my skills, while also sharing my knowledge and passion for glass through workshops and teaching.

Additionally, I want to showcase my work internationally, fostering connections and collaborations in the global art community. Ultimately, my goal is to continually evolve and grow, both as an artist and as an individual.