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Zowie is one of the founders of B O U D I CC A, established in 1997

B O U D I CC A had their first solo show in Tel Aviv in 2012, and were one of three chosen designers in Fashioning the Object, curated by Zoe Ryan for The Arts institute of Chicago. Other projects have been commissioned by the Tel Aviv Museum, The Royal Opera House, Kensington Palace, Haunch of Venison Yard, F.I.T., Centraal Museum Amsterdam, Arnhem Biennale and Somerset House.

Most recently, B O U D I CC A created a new glass work as part of Glasstress, an exhibition at the Venice Biennale and was awarded a Design Fellowship by The Stanley Picker Gallery.

Key details

School, Centre or Area

Research projects

Gallery

  • 3D sketch printed at the RCA, 2009

    3D sketch printed at the RCA, 2009

  • Darko Dress, 'We Sell Disguises', 2003/10

    Darko Dress, 'We Sell Disguises', 2003/10

  • Isolated moments from a cycle, 2012

    Isolated moments from a cycle, 2012

  • Chrono Minotaur, 2012

    Chrono Minotaur, 2012

  • Live studio drawing with two ballet dancers, Thomas Whitehead and Sian Murphy, at the Royal Opera House, 2010

    Live studio drawing with two ballet dancers, Thomas Whitehead and Sian Murphy, at the Royal Opera House, 2010

  • Couture 01 Paris. The theatre in the basement of the Romanian Embassy, 2008

    Couture 01 Paris. The theatre in the basement of the Romanian Embassy, 2008

  • A film. A dress. Tornado. 2009

    A film. A dress. Tornado. 2009

  • Essays. Couture 03. A still from the animation, 2010

    Essays. Couture 03. A still from the animation, 2010

  • WODE, 2001

    WODE, 2001

  • Striptease Scan. Re-recorded. 2014

    Striptease Scan. Re-recorded. 2014

  • The Liquid Game. The Stanley Picker Fellowship, 2014

    The Liquid Game. The Stanley Picker Fellowship, 2014

  • The Liquid Game. The Stanley Picker Fellowship, 2014

    The Liquid Game. The Stanley Picker Fellowship, 2014

More information

"The world is at a key moment of collaboration and collision, opinion, new thinking and raw individual experimentation that will challenge everything. Questioning is vital. Values need to be debated and established. The imagination further developed, relevant to our times. Each presentation, each articulation, to be a confluence of Science, History and Art, Philosophical and Cyber Worlds.

The expectation out there is restless and we are no longer beholden to boundaries.'

B O U D I CC A continues to stand strong and determined as a house, producing a body of work and research that expresses the narrative of identity in fashion. A parallel exploration considers the tailored silhouette, using a multitude of new disciplines such as 3D printing, Processing, Coding, Film and chrono-photography, where the enquiry is more for a re-definition, deconstruction, examination and atomisation of fashion and identity.