Dr Jeremy Keenan
- Senior Research Associate
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AiDLab, Research & Innovation
- Postdoctoral Researcher
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Physical Computing and Digital Prototyping
Jeremy creates artworks using sound, motion, feedback, data, sensors and light, and supports creative projects across these domains.
Jeremy's background started in sound production and practice, subsequently expanding to physical computing, programming, and electronics as avenues for creatively engaging with sensory media. Remaining consistently active in sound-based artistic practice, Jeremy co-founded the London-based studio Call & Response, with whom he continues to collaborate.
He is interested in working with real and imaginary signals, audible and inaudible feedback, the lateral mis/use of de/generative AI, and the emergent possibilities hidden within ubiquitous sensorial infrastructures.
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Practice
Jeremy’s practice involves generative audiovisual composition, sonic spaces, latent spaces, kinetic artworks, compound physical/virtual worlds, and hybrid media environments.
Publications, exhibitions, other outcomes
Exhibitions:
(2024) Deviations of the Fruit Fly. Kuandu Museum of Fine Arts. Taipei, Taiwan.
(2023) Pulsating Places. Angewandte. Vienna, Austria.
(2023) Polymorph II. Cromwell Place. London, UK.
(2023) Polymorph I. SZN Gallery. London, UK.
(2023) Dither - Tremble - Leap - Continue. Angewandte. Vienna, Austria.
(2022) Illusory Contours. CULTVR. Cardiff, Wales.
(2020) Security, Tranquila, mami. Ein Sof Gallery. London, UK.
(2020) Compound Terrains. Monom. Berlin, Germany
(2017) Scattered Rotations. Call & Response. London, UK
(2015) London Subterraneous. Call & Response. London, UK
(2014) Mouth to Ear. Call & Response. London, UK
(2015) Peacock. Kaunas Biennale. Kaunas, Lithuania
(2014) Garden of Signals. Call & Response. London, UK
Publications:
Keenan, J., Gooding, L. and Phillips, R. (2025) Appropriate technologies: For Regenerative Practices and Ecological Citizenship, Yielding Planet Centred Design. World Design Congress: Design for Planet: London
Bernac, S. and Keenan, J. (2024) The Objections of Lady Lovelace: Diffusion Models and the Synthetic Muse.
Keenan, J. and Golding, J. (2023) Dither - Tremble - Leap - Continue.