Yun-Ling Chen
MA work
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17-SS-02 / Not Really Really, 2017
Eucalyptus, copper, salt and telescopic mirror
10 cm x 6 cm x 43 cm | Photographer: Yun-Ling.Chen17-SS-02 / Not Really Really, 2017
Eucalyptus, copper, salt and telescopic mirror
10 cm x 6 cm x 43 cm | Photographer: Yun-Ling.Chen -
17-SS-21 / Afterlife Readymade, 2017
Kombu, found tiles, glass tiles, copper screws and concrete
25 cm x 9 cm x 10 cm | Photographer: Yun-Ling.Chen17-SS-21 / Afterlife Readymade, 2017
Kombu, found tiles, glass tiles, copper screws and concrete
25 cm x 9 cm x 10 cm | Photographer: Yun-Ling.Chen -
17-SS-03 / Nature After Nature, 2017
Hemp cord, lamp holders ring, found wood and rusted nails
5 cm x 8 cm x 65 cm | Photographer: Yun-Ling.Chen17-SS-03 / Nature After Nature, 2017
Hemp cord, lamp holders ring, found wood and rusted nails
5 cm x 8 cm x 65 cm | Photographer: Yun-Ling.Chen -
17-SS-10 / Not Really Really, 2017
Monocle and yolk
4.5 cm x 5 cm x 3 cm | Photographer: Yun-Ling.Chen17-SS-10 / Not Really Really, 2017
Monocle and yolk
4.5 cm x 5 cm x 3 cm | Photographer: Yun-Ling.Chen -
17-SS-11 / Not Really Really, 2017
Reflector lens, dough and plug terminal clamp
1.5 cm x 10 cm x 10 cm | Photographer: Yun-Ling.Chen17-SS-11 / Not Really Really, 2017
Reflector lens, dough and plug terminal clamp
1.5 cm x 10 cm x 10 cm | Photographer: Yun-Ling.Chen -
17-SS-13 / Nature After Nature, 2017
Key fob, button hook and found silicones
3 cm x 4 cm x 29 cm | Photographer: Yun-Ling.Chen17-SS-13 / Nature After Nature, 2017
Key fob, button hook and found silicones
3 cm x 4 cm x 29 cm | Photographer: Yun-Ling.Chen -
17-SS-20 / Not Really Really, 2017
Ricotta, wooden tray and toilet tissue
12 cm x 14 cm x 14 cm | Photographer: Yun-Ling.Chen17-SS-20 / Not Really Really, 2017
Ricotta, wooden tray and toilet tissue
12 cm x 14 cm x 14 cm | Photographer: Yun-Ling.Chen
The world today brims with stuff and things. To understand this overflowing, my practice explores the intrinsic properties of materials.
My studio work starts with a fascination with what is discarded, found, taken and given. To challenge the boundaries between painting, sculpture and installation, my practice attempts to animate awkward conjunctions that illuminate the half-light between perception and action. These create what can be likened to new sentences, but sentences that appear to be empty of meaningful grammar. This is a process of shifting things into language-like forms and then back again. In this way I mix unstable components and create a new vocabulary.
Info
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MA Degree
School
School of Humanities
Programme
MA Painting, 2017
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Contact
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The world today brims with stuff and things. To understand this overflowing, my practice explores the intrinsic properties of materials.
My studio work starts with a fascination with what is discarded, found, taken and given. To challenge the boundaries between painting, sculpture and installation, my practice attempts to animate awkward conjunctions that illuminate the half-light between perception and action. These create what can be likened to new sentences, but sentences that appear to be empty of meaningful grammar. This is a process of shifting things into language-like forms and then back again. In this way I mix unstable components and create a new vocabulary.
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Degrees
- BA Plastic Arts, Dayeh University, 2014
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Exhibitions
- Creekside Open 2017 Selected by Alison Wilding, A.P.T Gallery, London, 2017; #Supercommunity, Royal College of Art Dyson Gallery, London, 2017; Play, Bankley Gallery, Manchester, 2017; Dimensions of Time, Crypt Gallery, London, 2017; Bankley Open Call Exhibition, Bankley Gallery, Manchester, 2016; What is the Future of Art?, Tate Modern, London, 2016
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Awards
- BLOOOM Award by WARSTEINER, Shortlisted, 2016