Susannah Stark
MA work
MA work
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still from Inside Out, Susannah Stark 2016
HD animation
1080i | Photographer: Susannah Stark -
still from Inside Out, Susannah Stark 2016
HD animation
1080i | Photographer: Susannah Stark -
still from Inside Out, Susannah Stark 2016
HD animation
1080i | Photographer: Susannah Stark -
still from Inside Out, Susannah Stark 2016
HD Animation
1080i | Photographer: Susannah Stark -
still from Inside Out, Susannah Stark 2016
HD animation
1080i | Photographer: Susannah Stark -
still from Inside Out, Susannah Stark 2016
HD Animation
1080i | Photographer: Susannah Stark -
North-East Wis-Dom Installation View, Susannah Stark 2016
HD animation, digital print, primed canvas, foam board, thread, cotton, polystyrene, floor vinyl, velcro, HD monitor, Dual channel sound, Directional speaker
500 cm x 350 cm x 400 cm | Photographer: Susannah Stark -
Apollo, Susannah Stark 2016
Digital print, primed canvas, thread, cotton stuffing, foam board, polystyrene
130cm x 55cm x 55cm | Photographer: Susannah Stark -
North-East Wis-Dom Installation View, Susannah Stark 2016
HD animation, digital print, primed canvas, foam board, thread, cotton, polystyrene, floor vinyl, velcro, HD monitor, Dual channel sound, Directional speaker
500 cm x 350 cm x 400 cm | Photographer: Susannah Stark
North-East Wis-Dom
North-East Wis-Dom is textual space comprised of animated mouths, disembodied voices and an assemblage of
stone statue bases printed on plastic, mixing rocks and inscriptions
from before and after periods of colonisation of their site of origin. Visitors are encouraged to enter and explore the work as a digitalogical space whereby the objects’ 3-dimensionality and physical reliability are in question.
Are they hollow and if so what does this mean?
Floating objects, monuments and bodily organs are released into the digital space, rendered skins of the things they are purposed to represent. Brittle monuments – spineless, yet capable of movement, subjects of mass circulation and manipulation as desirable objects.  Â
Info
Info
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MA Degree
School
School of Humanities
Programme
MA Print, 2016
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Contact
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077084 12899
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I have a background in printmaking and currently work across sound, sculpture and collaboration.
My work is an ongoing process of exploring how much of the western identity can be constructed from diverse popular sources and how the mouth may be the modulator for such regurgitations and formations. This leads me to exploring digitalogical space as a critical tool to understanding the hollow nature of objects and monuments that characterise our time.
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Degrees
- BA (Hons) Printmaking, Grays School of Art, 2011
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Experience
- Printmaking and imaging technician, University of Creative Arts, Epsom, 2015–16
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Exhibitions
- Transmission, CAFA Museum, Beijing, 2016; Pop Apocalyptic-After Dark, Athens Digital Arts Festival, Greece, 2016 ; Dis Play, Cafe Gallery, London, 2016; Obliques, The Glue Factory, Glasgow, 2016; Film Open, S1 Artspace, Sheffield, 2015; Film Open, ICA, London, 2015; East End Transmissions, The Pipe Factory/Past-Forward Projects, 2015; Castlefield Gallery, Manchester, 2015; LUX Artist's Moving Image Festival, Tramway, Glasgow, 2015; Film Open, Spike Island, Bristol, 2015; Extra Special People, Birmingham, 2015; Toposcope, UK Young Artists, Leicester Festival, 2014; Filter ono Filter - Bricolage, Glasgow International Festival, The Pipe Factory, Glasgow, 2014; Hydrapangaea, Glasgow International Festival, Botanic Gardens, Glasgow, 2014
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Awards
- Step Beyond, European Cultural Foundation Travel Grant, 2015