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Student Showcase Archive

Sin Wai Kin

MA work

MA work

  • Preface/Looking Without Touching

    Preface/Looking Without Touching, Victoria Sin 2017
    Moving Image
    1 minutes 7 seconds

  • Part One/She Was More Than the Sum of My Parts

    Part One/She Was More Than the Sum of My Parts, Victoria Sin 2016
    Moving Image
    3 minutes 32 seconds

  • Part Two/The Reprise of Cthulhu

    Part Two/The Reprise of Cthulhu, Victoria Sin 2016
    Moving Image
    3 minutes 31 seconds

  • Part Three/ Cthulhu Through the Looking Glass

    Part Three/ Cthulhu Through the Looking Glass, Victoria Sin 2017
    Moving Image
    4 minutes 2 seconds

Narrative Reflections on Looking

Narrative Reflections on Looking features four films on the space of desire in the experience of identifying with images.

Info

Info

  • MA Degree

    School

    School of Humanities

    Programme

    MA Print, 2017

  • Sin Wai Kin is a London based artist concerned with the experience of the physical within the social body. Their work explores desire, identification and objectification within systems of looking and reification of ideal images within technologies of representation. They work across performance, moving image, writing, installation, and print, and use drag as a tool to challenge expectations and attitudes on femme identities and how images and iconography of femininity are produced, inscribed, and performed.

    Their long term project, Dream Babes, explores speculative fiction as a productive strategy of queer resistance, invading existing narratives around naturalised states of sex, gender and race, imaging futurity that does not depend on existing historical and social infrastructure.

  • Degrees

  • BA Fine Art, Camberwell College of Art, University of the Arts London, 2015
  • Exhibitions

  • Volcano Extravaganza, I Polpi, Stromboli 2017; Rogue Agents, ZKM Museum, Karlsruhe, 2017; Multiplied, Kingsgate Project Space, 2017; Rogue Agents, Firstdraft, Sydney, 2017; Dream Babes Speculative Futures, The Horse Hospital, 2017; Hotline, New River Studios, London, 2017; ON & OFF, Proyectos Medellin Gallery, Mexico City, 2017; The Conch, South London Gallery, London, 2017; Freshly Squeezed, CGP, 2017; Cacotopia, Annka Kultys Gallery, London, 2017; Edinburgh Artists' Moving Image Festival, Talbot Rice Gallery, Edinburgh, 2016; Clearview Presents, Clearview, London, 2016; Sham Romance, Chalton Gallery, London, 2016; Steakhouse Live Festival, The Yard Theatre, London, 2016; Dream Babes, Auto Italia, London, 2016; Will Nature Make a Man of Me Yet?, Pi Artworks, London, 2016; Break/Link, CGP London, London, 2016; Chewy, Royal College of Art Dyson Gallery, London, 2016; The Ingram Collection, Bodies!, The Lightbox, Woking, 2015; Making Up, Fringe! Queer Film and Arts Festival, Rose-Lipman, London, 2015; And More Again, 155 Battersea Park Rd, London, 2015; UNIT, Dilston Grove, 2014
  • Conferences

  • Suggestion of Fleshiness, I/Mages of Tomorrow, Goldsmiths, 2017; Radical Discontinuity, Live Art and the Cyborg Body Conference, Goldsmiths, 2016; Drag Roundtable, University of Westminster Queer London Research Forum, Birkbeck, 2016; Fun City, Utopian Voices Here and Now, Somerset House, 2016; Are We Still Aching for Dyke Focused Spaces?, Utopian Voices Here and Now, Somerset House, 2016
  • Publications

  • Dream Babes Speculative Futures Zine, PSS, 2017; In Conversation with Shu Lea Cheang, AutoItaliaSouthEast.org, 2016; Permission, Ala Champ Magazine Issue 10, 2015; You’re Giving Me Boy, AutoItaliaSouthEast.org, 2015