Sidsel Christensen
MA work
MA work
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About the Light Surface of Josephine Ditlev, Sidsel Christensen
Video still
In my practice I am using conversation, video and performative presentations to investigate a subjectivity that unfolds between authenticity and fictional constructs.
I specifically look at different possibilities for the imagination to transform the perceived reality of an individual or group.
I am investigating the possibility of immersion and ecstatic experience in contemporary spaces, and looking at how inner, emotive visions can be linked to the visual language of abstraction in art.
Info
Info
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MA Degree
School
School of Humanities
Programme
MA Photography, 2010
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Contact
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In my practice I am using conversation, video and performative presentations to investigate a subjectivity that unfolds between authenticity and fictional constructs.
I specifically look at different possibilities for the imagination to transform the perceived reality of an individual or group.
I am investigating the possibility of immersion and ecstatic experience in contemporary spaces, and looking at how inner, emotive visions can be linked to the visual language of abstraction in art.
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Degrees
- BA, Fine Art, Goldsmiths' College, University of London, 2006; Film Certificate, Film Production, European Film College, Denmark, 2002
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Experience
- Curator, Tau Scene (Tau Window Gallery), Stavanger, Norway, 2006/7; Guest teacher, Stavanger Art School, Stavanger, Norway, 2009; Guest speaker, Nottingham University, Westminster University, Stavanger Art School, Nottingham, London and Stavanger, Norway, 2007-9
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Exhibitions
- Hal Silver, Russian Club Gallery, London, 2009; The Object of The Attac, (Conversations With The Other Side), David Roberts Art Foundation, London, 2009; IT’S A MESS AND MOST PROBABLY IRREVERSIBLE, Jotta Space (curated by Five Storey Projects), London, 2009; Helmut Newton Ladies Night, Royal Academy of Arts, London, 2009