Rhiannon Flemming
MA work
MA work
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Meteorite, Stockwell, London ...Continue
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Tracing the meteorite
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Urban Meteorite
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Cover page of "Notes on Meteorites"
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Meteorite & Moon
Notes on Meteorites: A Collection of Literature and Ephemera Regarding Mysterious Falling Stones and Celestial Exhalations of the Earth
Throughout Notes on Meteorites, I have combined
original research, experience, and interviews with the rich history of artistic
and literary depictions of astral phenomena, scientific accounts, eyewitness testimony, and oral
tradition. The research includes: interviews ranging from extreme experience designer Nelly Ben Hayoun to Dr Matthias Bärmann, author, curator and part-time meteorite hunter; a personal trip to a meteor impact crater; and collaboration with artists, other writers and photographers for alternative perspectives on my interstellar souvenir.
It begins and ends with my meteorite, a 5g sample of iron meteorite from the Campo del Cielo fall in Argentina; each section spins off in its own direction but maintains a connection with my meteorite in some way. The resulting text is by no means exhaustive or complete, but rather an indication of the depths contained within my subject.Â
Info
Info
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MA Degree
School
School of Humanities
Programme
MA Critical Writing in Art & Design, 2014
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Contact
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Writer and illustrator, with a background in Modern British and Contemporary art and curating. I have a practical understanding of exhibition management and design, which I use as a foundation for writing, research and reviews. In my writing, I like to explore history and cultural through objects, using one item, incident, or event to extrapolate a wider understanding or network of ideas. Writing can be used to describe, illuminate or obscure; I experiment with all of these elements in both my visual and written practice. Working in sound and radio production are also interests which I've explored in my coursework and in my final project. Archive research is a task I particularly enjoy, and I have practical experience managing artists' archives for analysis, valuation, and further research. This type of research – particularly regarding artist and gallery archives – is something I hope to continue in the future.
While my background is in art and design, my attention often strays towards science, technology and science fiction. I investigated Canadian, feminist, fanzine-critic Susan Joan Wood for the project Archaeologies of Criticism; discussed the change from physical financial trading sites to online platforms in the publication Ends Meet: Essays on Exchange (2014); while my final project traces the history and cultural impact of the meteorite.
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Degrees
- BA Art History and Childhood & Society, University of Roehampton, London, 2011; BA Art History and Childhood & Society, University of Roehampton, London, 2011
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Experience
- Prints & Archives, Redfern Gallery, London, 2006–present
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Publications
- 'Farewell to Nova Scotia', As is the Sea, Royal College of Art, 2014; 'Advertising: the skeleton in whose cupboard? Introduced by Rhiannon Flemming', ARK: Words and Images from the Royal College of Art Magazine 1950–1978, Royal College of Art, 2014, pp.69-70; 'Past and Present of Futures Trading', Ends Meet: Essays on Exchange, Royal College of Art, 2014; 'Cairns Birdwing Butterfly', House Guests, exhibition catalogue, Kettle's Yard, 2013; 'The Abstract Phenomena of Paul Jenkins', Art of England, 2011, pp 24-5