Polly Savage
PhD Work
PhD work
Um Só Povo: Transnational Solidarity and Art Education in Mozambique 1961-1986
Between 1961 and 1986, the contexts in which artists could train and practice in Mozambique radically shifted. During the country’s transition from overseas territory of Portugal’s quasi-fascist Estado Novo regime, to Marxist-Leninist vanguard state, to neo-liberal democracy, expressions of international solidarity with the Mozambique liberation front (FRELIMO) generated dynamic flows of people, objects and ideas into and out of the country. This state of flux produced a range of opportunities for artists, as well as contingent expectations for the role of their work in the new nation. Understanding art education and patronage as both an apparatus of power and a locus of transnational exchange, this thesis focuses on the artists who navigated this shifting terrain. Whilst these artists all articulated, in different ways, the struggle against colonialism and their vision for a future nation, their approaches often ran counter to the prevailing political discourse and aesthetic pedagogies. Ultimately, I argue that this dissonance reveals how deeply the parameters for art in Mozambique were contested by artists during this time.
Info
Info
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PhD
School
School of Arts & Humanities
Programme
Curating Contemporary Art–2018
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Contact
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+44 (0)7708 965997
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Polly Savage is a researcher and lecturer with an interest in contemporary art and curatorial practice in Africa and the African diaspora, and a particular focus on socialism and visual cultures in Lusophone Africa. She has taught in the History of Art and Archaeology department at SOAS since 2001, and has also held teaching posts at Goldsmiths, Birkbeck and Leeds University, and a curatorial post at the October Gallery.  Her edited volume Making Art in Africa 1960-2010 was published by Lund Humphries in 2014.
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Degrees
- MA Postcolonial Studies (Cultural Studies), Goldsmiths; BA History of Art and Archaeology of Asia and Africa
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Experience
- Senior Teaching Fellow, History of Art and Archaeology, SOAS; Associate Lecturer, Visual Cultures, Goldsmiths; Lecturer, World Arts, Birkbeck
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Publications
- Making Art in Africa 1960-2010, Lund Humphries, 2014