Please upgrade your browser

For the best experience, you should upgrade your browser. Visit our accessibility page to view a list of supported browsers along with links to download the latest version.

Student Showcase Archive

Olivia Hicks

MA work

MA work

Using architectural theory as point of departure, my work explores the permeabilities between the body, complex emotional states and architectural spaces. I am interested in the sculptural idea of the room as a container or vessel, which objects and emotions can pour in and out of, and drain, leak or overflow.

At the same time I am interested in the status of the body itself as a container, where the skin is a membrane that holds us together. I make fetish-like objects, which inhabit a dark architectural space that uses ideas of ‘apotropaic’ (protective) magic that can defend, protect and constrain the body.

Info

Info

  • MA Degree

    School

    School of Humanities

    Programme

    MA Printmaking, 2010

  • Using architectural theory as point of departure, my work explores the permeabilities between the body, complex emotional states and architectural spaces. I am interested in the sculptural idea of the room as a container or vessel, which objects and emotions can pour in and out of, and drain, leak or overflow.

    At the same time I am interested in the status of the body itself as a container, where the skin is a membrane that holds us together. I make fetish-like objects, which inhabit a dark architectural space that uses ideas of ‘apotropaic’ (protective) magic that can defend, protect and constrain the body.

  • Degrees

  • BA (Hons), Graphic Design, Bath College of Art and Design, 1990
  • Experience

  • Freelance design work, Various London-based publishers (HarperCollins, Orion, Conran Octopus etc.), London, 1992-2007
  • Exhibitions

  • Park View Situ, Café Gallery Projects, London, 2010; Apartment 21, Clearlake Hotel, London, 2010; Man Group Drawing Prize, Royal College of Art, London, 2009; Open Exhibition, Modern Art Oxford, Oxford, 2008
  • Awards

  • Runner up, John Norris Wood Natural Form Drawing Prize, 2010; First prize, Institute of Directors' Prize, Royal West of England Academy, 2004