Nicholas Middleton

• 

• MPhil

  School

  School of Arts & Humanities

  Programme

  Arts & Humanities Research, 2016–

• Contact

• [email protected]
  http://www.somethoughtsonrailwaystations.blogspot.co.uk/p/about.html
  http://www.nicholasmiddleton.co.uk
  @itsnotaphoto

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• Nicholas Middleton is an artist based in London with a background in painting and print, and interests in photography, film and video.

• Degrees

• BA (Hons) Fine Art Printmaking, Winchester School of Art, 1997

• Experience

• Foundation Course Tutor, City and Guilds of London Art School, 2006-present

• Exhibitions

• Daybreak, Maverick Projects, London, 2017; Pinhole and the Art of Invention, Monty's Gallery, London, 2017; John Moores Painting Prize 2016, Walker Art Gallery, Liverpool, 2016; Art:Science:Life, Ipswich Art School Gallery, Ipswich, 2016; Immediacy of Paint, Waterfront Gallery, UCS, Ipswich, 2015; London Painting Survey, Barbican Arts Project Space, London, 2015; Documentary Realism: Painting In The Digital Age, The Crypt at St Marylebone, London, 2015; Contemporary British Painting, Huddersfield Art Gallery, Huddersfield, 2014; John Moores Painting Prize 2014, Walker Art Gallery, Liverpool, 2014; Towards A New Socio-Painting, Transition Gallery, London, 2014; Provisional Cities, (solo exhibtion) The Crypt at St Marylebone, London, 2013; Francis Bacon To Paula Rego, Abbott Hall, Kendall, 2012; New East Anglian Painting, Ipswich Art School Gallery, Ipswich, 2012; Mostyn Open 2011, Oriel Mostyn, Llandudno, 2011; Diverse Realisms, Minories Art Gallery, Colchester, 2010; Black & White Paintings (solo exhibition), Arch Gallery, London, 2010; John Moores Painting Prize 2010, Walker Art Gallery, Liverpool, 2010; "You Are Here", Liquid Gallery, London, 2009; John Moores Painting Prize 24, Walker Art Gallery, Liverpool, 2006; John Moores Painting Prize 23, Walker Art Gallery, Liverpool, 2004; Failsafe, APT Gallery, London, 2004; Defining The Times, Milton Keynes Gallery, 2000; Displacements, Void Gallery, London, 2000; Bandits-Mages, Bourges Film Festival, France, 1997

• Awards

• John Moores Prizewinner & Visitors' Choice Prizewinner, 2010; John Moores Visitors' Choice Prizewinner, 2006

• Conferences

• "It's alright apart from the fact you can hardly see anything" - A Partial History of Clear As Mud, Performance Studies International, Zagreb, 2009

• Publications

• Garageland #17: Society, 2015; Documentary Realism: Painting in the Digital Age, Robert Priseman, Sophie Cummings, Paul O'Kane, 2015; New East Anglian Painting, Simon Carter, 2012