Nadège Mériau
MA work
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Post-ocular, Nadège Mériau
C-type printPost-ocular, Nadège Mériau
C-type print
When I think about immersion, I think about Romanticism and the Sublime, but my practice investigates whether it is possible to create images that are immediate and immersive at the same time; close-ups that are also landscapes, sculptural forms that are also spaces that the viewer can dwell in.
Worms are interesting to me as a metaphor for a more embedded and embodied way of being in the world.
By inserting my camera into edible chambers carved out of flora or bread, I seek to embody the worm’s imagined perspective, through which new architectural propositions can emerge.
Info
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MA Degree
School
School of Humanities
Programme
MA Photography, 2011
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Contact
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+44 (0)7966 395 542
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When I think about immersion, I think about Romanticism and the Sublime, but my practice investigates whether it is possible to create images that are immediate and immersive at the same time; close-ups that are also landscapes, sculptural forms that are also spaces that the viewer can dwell in.
Worms are interesting to me as a metaphor for a more embedded and embodied way of being in the world.
By inserting my camera into edible chambers carved out of flora or bread, I seek to embody the worm’s imagined perspective, through which new architectural propositions can emerge.
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Degrees
- HND, Photography, The Arts Institute at Bournemouth, 1997; Diploma, Photography, Kitson College, Leeds, 1994; BA (Hons), English Literature, University of Nantes, France, 1989
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Experience
- Assistant to art therapist, Marie Curie Hospice, London, 2009-10; Freelance photographer, London, 2002-11; Photography teacher, Poole College, 1995-97
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Exhibitions
- Undercurrents, Fringe Focus Space, Brighton, 2010; Album (Liverpool Biennial), Wolstenholme Creative Space, Liverpool, 2010; Mises en Scene (Format Festival), The Quad, Derby, 2009; Curious Nature , Newlyn Art Gallery, Newlyn, 2008
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Awards
- Shortlisted, Bloomberg New Contemporaries, 2011; Nominated, National Magazine Awards, 2010; Winner, Arles Festival Photo Folio Review Prize, 2007