It is not line and surface, it is 0-dimensional as 'point'.
And it keeps moving.
School of Arts & Humanities
MA Jewellery & Metal, 2018
...it will soon melt into the air.
I am exploring the intangible gap in our life and translate the motion of the figure in a performative way. I believes that the accident of 'Human Error' has a potential to reveal a new way of seeing ourselves. As the air moves through the shapes of my work, it creates an unfamiliar sound. But soon it will melt into that shape making us not afraid of human error.
- BA (Hons) Textile, Tamagawa University College of Arts, 2010
- Munich Jewellery Week ‘I believe’, Pinakothek der Moderne, Munich, 2018; RCA Work in Progress Show, Royal College of Art, London 2018; Yokohama Paratriennale 2017, Zou no Hana Park terrace, Yokohama, 2017; Accessaryx Mode Exhibition ‘piece of mode 2017’, Omotesando Hills ROCKET Gallery, Tokyo, 2017; SICF PLAY, Spiral Hall, Tokyo, 2017; SICF17 Winning Exhibition, Spiral Hall, Tokyo, 2017; Materiality, Hockney Gallery, London, 2017; RCA Work in Progress Show , Royal College of Art, London, 2017; SICF 17, Spiral hall, Tokyo, 2016; Hibuya Awards Winning Exhibition, Bunkamura Wall Gallery, Tokyo, 2015; Shibuya Awards, Tokyu Hikarie Gallery, Tokyo, 2015; Shibu-Karu Awards, Parco Museum, Tokyo, 2015; Head Art Photo Contest AKASHI 2015, Kobe, 2015; Foundation Show 2015, Central Saint Martins, London, 2015; Green Week, Central Saint Martins, London, 2015
- Longlisted Aesthetica Art Prize, 2018; So-En x minne Awards, Sayoko Yajima Prize, 2016; SICF 17, Yoshie Kurisu Prize, 2016; Shibuya Awards, Yusaku Imamura Prize, 2016; Shortlisted, Shibu-Karu Awards, 2016; Central Saint Martins Green Week Prize, 2015; Shortlisted, Kizuna Aid Project Exhibition, 2014
- Aesthetica Magazine, Future Now, 2018