Michele Oberdieck
MA work
MA work
Blurring Lines, Merging Colours
Inspired by natural forms, and organic structures, I explore balance, and the asymmetrical through shape, texture, and the gradual transition of colour.
I mirror the soft organic lines created when a molten colour bleeds into another with a biomorphic form.
Colour, purely sensory, enriches the linear with meaning.
My 3-D forms are meant as gestures, and as such, express a narrative.
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As a medium of both clarity, and ambiguity, glass’s capacity to distort and alter our view is intriguing. By cutting and stripping away layers of colour, I examine the positive, and negative ground by playing with transparency and opacity, exposing the reflection of light and shadow from the inner contained space onto the exterior form.
Info
Info
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MA Degree
School
School of Humanities
Programme
MA Ceramics & Glass, 2016
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Contact
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+44 (0)7711 875312
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Inspired by natural forms, and organic structures, I explore balance, and the asymmetrical through shape, texture, and the gradual transition of colour.
I mirror the soft organic lines created when a molten colour bleeds into another with a biomorphic form.
Colour, purely sensory, enriches the linear with meaning.
My 3D forms are meant as gestures, and as such, express a narrative.
As a medium of both clarity, and ambiguity, glass’s capacity to distort and alter our view is intriguing. By cutting and stripping away layers of colour, I examine the positive, and negative ground by playing with transparency and opacity, exposing the reflection of light and shadow from the inner contained space onto the exterior form.
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Degrees
- B.A Hon Printed and Knitted Textiles, Glasgow School of Art, 1994
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Experience
- Managed own printed textile design practice working in fashion and interior design, designing, selling, and marketing for own business, 1999–now; Drawing Workshop, University of the Contemporary Arts, Farnham, 2016; Visiting lecturer to several colleges: The American University, Marylebone, Buckingham Chiltern University, Bath Spa, 2000–2002; Course vigilator and visiting lecturer at Central University of England, Birmingham, 2000–2005; Freelance consultant with interior designers, architects, as well as private individuals in colour, print, and room schemes, 2000–present; Freelance design work for Calvin Klein, Anne Klein; Knit designs for Donna Karan 1994–2003
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Exhibitions
- The Emerged and the Established, Christies, South Kensington, London, UK, 2016; WIP Exhibition, Royal College of Art, Woo Building, Battersea, London, UK, 2015; ‘Off Centre’, Royal College of Art, Stephen’s Building, London, UK, 2015; Icehouse Exhibition, Holland Park, London, UK, 2015; Made in London, Marylebone, London, UK, 2014 ; Design Junction, London Design Week, London, UK, 2014; Maison d’Objet, Paris, France, Jan 2014, Sept 2014 ; Clerkenwell Exhibition, London, UK, 2014; ‘Botanical Renditions’ The Ice House, Holland Park, London, UK, 2013; Index, Dubai, UK, 2011 ; Tramshed Design Exhibition, Tramshed, Shoreditch, London Design Week, London, UK, 2010
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Publications
- Dying & Screen-printing on Textiles, Joanna Kinnersly-Taylor 1st and 2nd Edition, 2010, 2011; Lamination; Glass Handbook, George Papadopoulos, 2004