Please upgrade your browser

For the best experience, you should upgrade your browser. Visit our accessibility page to view a list of supported browsers along with links to download the latest version.

Student Showcase Archive

Max Gimson

MA work

MA work

  • Hastings Chimneys

    Hastings Chimneys, 2019
    240cm x 160cm

  • Dandelion Lane

    Dandelion Lane, 2019
    oil & sand on canvas
    140cm x 162cm

  • Roseneath Rd

    Roseneath Rd, 2019
    162cm x 162cm

  • The Sourdough Bakery

    The Sourdough Bakery, 2019
    240cm x 160cm

  • Bramble Bush Tom

    Bramble Bush Tom, 2019
    162cm x 162cm

  • A Little Chat By The Mimosa

    A Little Chat By The Mimosa, 2019
    162cm x 162cm

  • The Haze Chamber

    The Haze Chamber, 2019
    162cm x 162cm

  • Black-Fire Place

    Black-Fire Place, 2018
    145cm x 135cm

  • Beached Ghost Carp

    Beached Ghost Carp, 2018
    70cm x 100cm

  • Posh Rug On Fire

    Posh Rug On Fire, 2019
    240cm x 160cm

  • A Hot Corner

    A Hot Corner, 2019
    60cm x 50cm

  • Wetherspoons Blaze

    Wetherspoons Blaze, 2019
    35cm x 30cm

Signs of Rot on Thurleigh Avenue

The degree show is a series of small-to-large oil paintings on canvas consisting of parochial subject matter, placing importance on the gestural and incidental qualities of the medium of paint.

Info

Info

  • MA Degree

    School

    School of Arts & Humanities

    Programme

    MA Painting, 2019

  • My paintings use the fireplace as an antiquated vessel or threshold, the locus from which smoke and fire depart, and with them an obfuscation of half-memories, dreams and echoes of subconscious imagery.

    Similar to staring into a fire and conjuring hallucinations from one’s own imagination, I attempt to develop form, narrative and structure in my work within the physical and incidental act of painting.

    In one instance three large, indeterminable bird-like creatures exist as a glowing orange mass of painted gestures and in the next they are rendered as passive, ornamental voyeurs from the corner of a room. In another painting thick, black smoke bellows from an open hearth and in the next it surrounds the viewer as they are situated within the fire.

    Like cupping smoke in one's hands and then looking inside to see it dissipate into the atmosphere, the paintings consist of momentary passages of clarity within temporally shifting painterly gestures – internal logic always teetering between figurative description and abstractions.

  • Degrees

  • BA Fine Art: Painting, University of Brighton, 2012
  • Exhibitions

  • 'Abracadabra', Assembly House, Leeds, 2019; 'Crossroad', Hoxton 253 Project Space, London, 2019; 'Meshes Of The Afternoon', Courtyard Gallery 1, Royal College of Art, London, 2019; 'COLLEGE', House of Vans, London, 2019; 'The Ghosts Are In The House', Chopping Block Gallery, London, 2018; 'Painting[Now]', Studio One Gallery, London, 2017; 'Speak, Clown! **** Part Four', FOLD gallery, London, 2013; 'Max Gimson & Anne Kellens', Galerie d'YS, Brussels, 2016; 'Susan', Neue Froth Kunsthalle, Brighton, 2013; 'Through Tomorrow's Eyes', BEEP, Wales' International Contemporary Painting Prize, Swansea, 2012