Lee Triming
PhD Work
PhD work
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Hand Moving in an Adjacent Room, Lee Triming 2014
Solo performer, two rooms, live video feed, pre-recorded sound
Dimensions variable -
Three Panel Mesh Drawing with Erasures, Lee Triming 2015
Pencil on paper
Three parts, each 140cm x 100cm -
Three Panel Mesh Drawing with Erasures (detail), Lee Triming
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Studio shot showing: Pink Wall with Occasional Object (Paired Version), Lee Triming 2015
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Studio shot showing: Three Panel Mesh Drawing with Erasures, with Occasional Objects, Lee Triming 2015
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Second Drawing with Pink Gloss and Pink Gloss and Permanent Orange, Lee Triming 2014
Pencil, oil paint and gloss paint on paper, gloss paint on wall
Drawing: 70cm x 59cm; wall: variable -
Second Drawing with Pink Gloss and Pink Gloss and Permanent Orange (detail), Lee Triming 2014
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Basket, Lee Triming 2013
Photocopy on paper
200cm x 170cm
The Word of a Magus is Always a Falsehood.
I opened my mouth to say both Yes and No.
A fly had time to go in and out of it.
Supervisor:Â Ian Kiaer
MPhil work
MPhil work
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image from digital archive of studio photos, Lee Triming
image from digital archive of studio photos, 2012 -
Extract from I am going to write about this cube (working title), work in progress - scanned image of computer printout with marker pen, 2012, Lee Triming
work in progress - scanned image of computer printout with marker pen, 2012 -
Red Thing, Fifth Instance - oil pastel on newsprint, masking tape, digital archive (absent), 2012, Lee Triming
oil pastel on newsprint, masking tape, digital archive (absent), 2012 -
KW (working title) - digital slide show, 2012, Lee Triming
Info
Info
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PhD
School
School of Humanities
Programme
Painting, 2011–2015
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MPhil
School
School of Humanities
Programme
Painting, 2011–2015
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Lee Triming joined the Painting programme at the RCA as a research student in 2011, having previously completed an MA in Fine Art at Goldsmiths College. His practice is rooted in a longstanding engagement with drawing as a process-based activity, and this informs his investigation of other materials and processes (including writing, sculpture, digital media and performance). He has written extensively on contemporary art since the late 1990s, and is currently an Associate Lecturer in Fine Art at Nottingham Trent University.