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Student Showcase Archive

Laura Dee Milnes

MA work

MA work

  • NOTES ON RAGE: A Public Address [video still]

    NOTES ON RAGE: A Public Address [video still], 2018
    Video

  • The Making of Her [production shot]

    The Making of Her [production shot], 2018
    Installation

  • NOTES ON RAGE: A Public Address [performance still]

    NOTES ON RAGE: A Public Address [performance still], 2017
    Performance
    Photographer: Jessica Worrall

  • NOTES ON RAGE

    NOTES ON RAGE, 2018
    Video / Sculpture

  • NOTES ON RAGE [extract]

    NOTES ON RAGE [extract], 2017
    Text

  • Sweet Heave

    Sweet Heave, 2018
    Performance
    Photographer: Ruth Brennan

  • I Cut Myself Up

    I Cut Myself Up, 2018
    Illustration (accompanies text)

The Making of Her

An installation, comprising elements from the span of Laura Dee Milnes' practice, including moving image, performance, object, text and image. Throughout the degree show, at various intervals, the installation will be activated by performance.

The Making of Her is a reflection on 2018, a growing feeling of unrest, dissatisfaction, and the artist's attempt to find a voice that represents her and those she identifies with.

Info

Info

  • MA Degree

    School

    School of Arts & Humanities

    Programme

    MA Sculpture, 2018

  • Laura Dee Milnes’ practice encompasses performance, sculpture, writing, image, music and research. Her assemblages of space, body and action are often enacted for viewers and/or participants in an invented space – a set, where action may or may not take place, an environment created by the artist as an expanded universe, or an invitation inside her thinking, to be experienced physically.

    Laura considers herself to be her own object, and views her text as sculpture, her performance as space, and all of these things as her body. She invites others to inhabit this body of work, briefly, not merely to view it but to be part of it, always within boundaries she has consented to. She draws upon her extensive experience as a performer in the creation and delivery of her work, which is often irreverent and confrontational, but laden with humour and care. Part of Laura’s performance practice has often involved adopting various personas, who become ‘hosts’ in two senses of the word – they are a vessel for her and her body/voice, and they lubricate potentially awkward social situations.

    Alongside her sculptural and performance practice, Laura also facilitates workshops and leisure activities in which conversations take place. Interactivity and person-to-person exchange are integral and she has created various installations within which communities are formed for brief moments.  More recently she has found that her installations become hosts, activated by the people who interact with them, with a little help from her, as co-host.

  • Degrees

  • BA(hons) Theatre Practice Performance Arts, Royal Central School of Speech and Drama, London, 2010
  • Exhibitions

  • Too Much Information, Seventeen, London, 2018; Death: A Picture, Dulwich Picture Gallery, 2017; Printing the City, South Square Centre, Bradford, 2017; I WANT MY IDEAL PASTE, Kelder, London, 2017; White Noise, RCA, London, 2017; Seasons, Maxilla Space, London, 2017; Borders Borders, ECA, Edinburgh, 2017; PUDERPINK, Puderraum, Berlin, 2017; Life. Death. Whatever, National Trust Sutton House, London, 2016; Laura Dee Milnes: Carrion, carrion, 38b Projects, London, 2016; Artists Behind Bars, Matt’s Gallery, London, 2016; Eating Machine, Safehouse 2, London, 2016; Bookish, 38b Projects, London, 2016; Live!Art Slashbod Lemoncrit Partytime, Toynbee Studios, London, 2015; Radio Anti // Domestic Transmissions, 3b Projects, London, 2015; Centre for Remote Possibilities, Matt’s Gallery, London, 2014; IdeasFromElse[W]here, Winns Gallery, London, 2014; DRY TIDE – Enact Fluidity, Le 6b, Paris, 2014; We Are Not Friends, Platform One, London, 2014