Laura Helen Clarke
MA work
MA work
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Relics for the Afterfuture (Brown); The White Room (Satan), Ioana Nemes
Fur, leather, horns, gold, epoxide, paint, lacquer and wood
Photographer: Robert Chilton
How audiences can experience artistic practices in ways that are alternative to an exhibition as ‘finished’ or an end forms the focus of my interests. I am interested in exhibitions that unfold and alter over time, where temporality is given equal precedence to spatialisation. As such, the exhibition becomes a starting point for further, cumulative research.

I have previously worked for two years as an intern at Tate Modern, where I was involved in the organisation of the retrospectives of Gauguin, Richter and Hirst. Over the course of the MA, I have developed a particular interest in the relationship between exhibitions and publications as formats of mediating artistic practices. I plan to continue with and develop this research interest after graduating.

Info
Info
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MA Degree
School
School of Humanities
Programme
MA Curating Contemporary Art, 2012
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Contact
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How audiences can experience artistic practices in ways that are alternative to an exhibition as ‘finished’ or an end forms the focus of my interests. I am interested in exhibitions that unfold and alter over time, where temporality is given equal precedence to spatialisation. As such, the exhibition becomes a starting point for further, cumulative research.

I have previously worked for two years as an intern at Tate Modern, where I was involved in the organisation of the retrospectives of Gauguin, Richter and Hirst. Over the course of the MA, I have developed a particular interest in the relationship between exhibitions and publications as formats of mediating artistic practices. I plan to continue with and develop this research interest after graduating.

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Degrees
- BA (Hons), Fine Art, Nottingham Trent University, 2008
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Experience
- Curatorial internship, Tate Modern, 2009–10; Administrative internship, Tate Modern, 2009
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Exhibitions
- Ritual Without Myth, Royal College of Art, 2012; Lying on Rocks, Sitting in Windows, Standing on Chairs, Royal College of Art, 2011; Testing Ground | Time Scale, Zabludowicz Collection, London, 2011; Ways and Means, Wysing Arts Centre, Cambridgeshire, 2010