Kevin Smeeing

MA work

Future of the High Street

‘Re-imagine’ the potential uses of vacant spaces on the local high street

As a result of global economic downturn, out of town and online shopping, and rising rents in London, the face of the high street is changing. Across England the rate of shop vacancies stood at 13.3 per cent at the end of 2014 [1]. These vacancies create a downward spiral for the local retail sectors as shop closures reduce footfall. Both sides of the political spectrum recognise this change as important due to its social and economical value, however, too often financial gain is placed above social value.

Where the GLA (Greater London Authority) is promoting culture as important to the high street, as it ‘could increase house prices by up to 30 per cent’ [2], communities are losing control of their own high street. There is an opportunity to challenge this situation by re-imagining the potential uses of these vacant spaces on the local high street. What can replace the social glue that high streets have provided for communities in the past?

Future of the High Street is not another pop-up shop. Based on pure social curiosity, the project looks at a more inclusive alternative to the redevelopment of the high street. During six weeks residency as part of a regeneration programme in Romford, a space has been created that could have multiple uses and house several local businesses on an hourly basis. The project challenges the notions of time and value, while testing systems of sharing in today’s economy. By participating in the project, the local community has been invited to experience the alternatives uses.


[1] http://www.theguardian.com/uk-news/2015/feb/04/empty-shop-levels-north-south-england-report

[2] https://www.london.gov.uk/priorities/arts-culture/promoting-arts-culture/culture-on-the-high-street

Info

  • MA Degree

    School

    School of Design

    Programme

    MA Design Products, 2015

    Specialism

    platform13

  • With his projects Kevin Smeeing is questioning surrounding realities, while at the same time exploring alternatives. His work often deals with the urban environment and the social relations within. As an artist he uses his design skills to critically challenge social issues, without being driven by a commercial agenda. Smeeing believes that design can be used as a tool to create mediating objects or spaces, which enable people to engage with critical ideas through individual or social experiences. The context that he finds most interesting to work in is the public space of the urban realm. 

  • Degrees

  • BS Industrial Design Engineering, Delft University of Technology, 2011; Minor in Architecture, Delft University of Technology, 2012; Minor in Industrial & Strategic Design, Aalto University School of Art and Design, 2011
  • Experience

  • Designer, IDPOOL Vista Alegre Atlantis, Vista Alegre, 2013; Internship, Makkink & Bey Furniture and Interior Design, Rotterdam, 2012
  • Exhibitions

  • TRANSITIONS, Hockney Gallery, London, 2015; Data Manifestation, Hockney Gallery, London, 2013; Metamorphosis '12, New Finnish Design, Lahti, 2012; Talents, Ambiente, Frankfurt, 2012; Everyday Tools, Stockholm Furniture Fair, Stockholm, 2012; Between Tradition and Future, Cheongju International Craft Biennale, Cheongju, 2011; Table Cup and Glass, Habitare, Helsinki, 2011; Way In, Atski Gallery, Helsinki, 2011; Metropolis, Lijm & Cultuur, Delft, 2009