Katharine Vann
MA work
MA work
Crafting Race; Plaster Casting Indigeneity at the American Museum of Natural History 1896-1905
Info
Info
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MA Degree
School
School of Humanities
Programme
MA History of Design, 2017
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Contact
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+44 (0)7841 354413
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A History of Design student curious about the design of bodies, and the intersection of craft and science.Â
For my second year dissertation I won a place on an exchange for Fall Semester 2016 with Bard Graduate Center (BGC) in New York City. I undertook five months of archival research in the American Museum of Natural History (AMNH), working with a series of over five hundred plaster casts, life masks and busts made of indigenous North American peoples from 1896 to 1905. My 25,000 word paper explored the intersection of craft, science and anthropology, suggesting that AMNH sculptor Caspar Mayer played a direct role in crafting popular conceptions of indigeneity. My work opens up discussion about the repatriation of indigenous artefacts that fall beyond the scope of The Native American Graves Protection and Repatriation Act (NAGPRA). The life masks, casts and busts occupy in-between spaces not covered by NAGPRA, being neither human remains nor cultural artefacts that can be returned to communities.
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Degrees
- BA Archaeology & Anthropology, University of Cambridge, 2013
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Awards
- Bard Graduate Exchange Award, 2016