Jun Wang

'our eyes must survey their depths', Jun Wang 2019
Carved clay dipped with Cyanotype displayed within a lighting box
26 cm x 28 cm x 30 cm

'our eyes must survey their depths', Jun Wang 2019
Carved clay dipped with Cyanotype displayed within a lighting box
26 cm x 28 cm x 30 cm
Tide Study, Jun Wang 2019
Screen print on Acrylic mounted on the wall

Tide Study, Jun Wang 2019
Screen print on Acrylic mounted on the wall
we chatted about the end, Jun Wang 2019
Risograph
28 cm x 20 cm

we chatted about the end, Jun Wang 2019
Risograph
28 cm x 20 cm
Day and Night, Jun Wang 2019
Digital print with backled
115 cm x 70 cm | Photographer: Digital print with backled

Day and Night, Jun Wang 2019
Digital print with backled
115 cm x 70 cm | Photographer: Digital print with backled
14:14 (from print series Whale Study), Jun Wang 2019
Photopolymer
28 cm x 20 cm

14:14 (from print series Whale Study), Jun Wang 2019
Photopolymer
28 cm x 20 cm
Water Clock, Jun Wang 2019
Mixed Medium

Water Clock, Jun Wang 2019
Mixed Medium
Installation View

Installation View
Navigated*, Jun Wang 2019
Mixed Medium
26 cm x 17 cm x 47 cm

Navigated*, Jun Wang 2019
Mixed Medium
26 cm x 17 cm x 47 cm
Unititled, Jun Wang 2019
Found stopwatches

Unititled, Jun Wang 2019
Found stopwatches
Installation View

Installation View
Detail

Detail
A Study of 'Progress', Jun Wang 2019
Mixed Medium

A Study of 'Progress', Jun Wang 2019
Mixed Medium

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Jun is an multi-media artist who is fascinated by the most subtle, most-easily overseen elements that quietly coexist with us every day.
Some say that time is a human invention we use to locate memories and position ourselves. Jun's work looks into the way we measure time and question whether or not there are alternative ways to do so. Her research focuses on the less-known territories, such as nature, the universe and personal memories. She creates work, including prints, video work and installations, that strives to recreate the experience of one of our most natural human instincts – observation, and the unconscious gestures of guessing and believing. By abstracting the boundaries of fact and imagination, her artwork invites the audience to reflect on the self.

MA work