Jun Iwamoto

MA work

Site/Non-Site (Thames), 2018
Two channel video and mixed media installation
Dimension variable
Sisyphus Walk, 2018
Single channel video with sound
Reading "Kafka on the Shore" next to Franz Kafka's grave, 2019
Single channel video with sound
Dimension variable
Reading "Kafka on the Shore" next to Franz Kafka's grave, 2019
Single channel video with sound
Dimension variable
Backstop, 2019
LED moving message display, Steel, Net, Vinyl
150 cm x 90 cm
Installation view, 2019
Steel, LED light, vinyl text, perspex, mdf
Dimension variable
Vladimir and Estragon, 2019
Steel, LED light, vinyl text, perspex, mdf
160cm x 100cm x 30cm
Desire For Meaning→←Meaninglessness Of Existence, 2019
Steel, LED light, vinyl text, perspex, mdf
160cm x 100cm x 30cm
How Should We Confront the Absurd?, 2019
Steel, LED light, vinyl text, perspex, mdf
160cm x 100cm x 30cm
Contemporary Addiction, 2019
Steel, LED light, vinyl text, perspex, mdf
160cm x 100cm x 30cm

Experience
Testing ground, Zabludowicz Collection, London, 2019; Painting staff, Takashi Murakami’s Studio (Kaikai Kiki Co Ltd), Saitama, 2008–10

Exhibitions
PPS: Photography Project Space, Royal College of Art, London, 2019 (Upcoming); 'Brexhibition' curated by Wilko Austermann and Hugo Pereira, Dyson Gallery, London, 2019; 'Supercult', Hockney Gallery, London, 2018; WIP Show, Sculpture Building, Royal College of Art, London, 2018; 'Double Pelican', Dyson Gallery, London, 2017