Julius Heinemann
MA work
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Installation View, Nusser & Baumgart, Munich
Installation View, Nusser & Baumgart, Munich
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270 x 679 x 542
Graphite, wall paint and spray paint on wall270 x 679 x 542
Graphite, wall paint and spray paint on wall -
270 x 679 x 542
Graphite, wall paint and spray paint on wall270 x 679 x 542
Graphite, wall paint and spray paint on wall -
White Irony
Acrylic, spray paint and crayon on woodWhite Irony
Acrylic, spray paint and crayon on wood -
Time Piece
Acrylic, spray paint and crayon on woodTime Piece
Acrylic, spray paint and crayon on wood
Julius Heinemann works with traces, marks and decisive placement of line and colour on a variety of surfaces – paper, boards, objects, walls – at the interface between real and imagined space. Human scale and its relation to the architecture of the exhibition space also play resolute roles; at the center of Heinemann’s practice is the act of drawing and its immediacy.
In his installations, objects, tableaux and drawings, Heinemann explores the perception of being, space and time, using the interaction of mark making, image editing and architecture. Through layering whites onto the marks – it creates a three dimensional plane by detracting colour. Each surface becomes a storage of actions – voids and erasures are as vital as narratives – as codes of performance and semantics of painting are evoked.
Info
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MA Degree
School
School of Humanities
Programme
MA Sculpture, 2013
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Contact
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Julius Heinemann works with traces, marks and decisive placement of line and colour on a variety of surfaces – paper, boards, objects, walls – at the interface between real and imagined space. Human scale and its relation to the architecture of the exhibition space also play resolute roles; at the center of Heinemann’s practice is the act of drawing and its immediacy.
In his installations, objects, tableaux and drawings, Heinemann explores the perception of being, space and time, using the interaction of mark making, image editing and architecture. Through layering whites onto the marks – it creates a three dimensional plane by detracting colour. Each surface becomes a storage of actions – voids and erasures are as vital as narratives – as codes of performance and semantics of painting are evoked.
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Degrees
- Diploma, Fine Art, Academy of Visual Arts Leipzig, 2011
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Exhibitions
- 270 x 679 x 542, Hilary Crisp, London, 2013; MUSE, Lempertz, Berlin, 2013; Julius Heinemann, Nusser & Baumgart, Munich, Germany, 2012; Imaginary Landscape, Kunstverein Gera, Germany, 2012
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Awards
- Winner, DAAD Postgraduates Scholarship for Great Britain, 2011
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Publications
- 'On White', Julius Heinemann, Distanz, 2013; null, Julius Heinemann & Edgar Leciejewski, 2012; Imaginary Landscape, Claudia Tittel, Kunstverein Gera, 2012; R.4.4 2009–2012, HGB Leipzig, 2012