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Student Showcase Archive

Julia Curtin

MA work

MA work

'By cut they are almost identical; by pattern of print they differ, but are similar in having been carefully chosen, all small and sober, quiet patterns, to be in good taste and to relieve one another’s monotony.  I think it may be well to repeat their general appearance, since it is of her individual designing, and is so thoroughly a part of the logic of her body, bearing, face and temper.  They have about them some shadow of nineteenth century influence, tall skirt, short waist, and a little, too, of imitation of Butterick patterns for housewives’ housework-dresses. But by other reasons again they have her own character and function: the lines are tall and narrow, as she is, and little relieved, and seem to run straight from the shoulders to the hem low on the shins, so that the whole dress like her body has the long vertical of a Chartres statue.'

James Agee and Walker Evans , Let Us Now Praise Famous Men, 1941

Info

Info

  • Julia Curtin
  • MA Degree

    School

    School of Humanities

    Programme

    MA Sculpture, 2014

  • Degrees

  • BA (Hons) Photography, London College of Communication, University of the Arts London, 2009
  • Experience

  • Studio assistant, Anselm Kiefer, Croissy Beaubourg, France, 2010–2012
  • Exhibitions

  • MA Post Graduates 2013, Atkinson Gallery, Somerset, 2013; Photoville, Pier 3, Brooklyn Bridge Park, Brooklyn, New York, 2012; International Discoveries III, FotoFest Gallery, Houston, Texas, 2011; Bauhaus Now: Contemporary Applications, UIMA Ukrainian Institute of Modern Art, Chicago, 2011; After We Arrive, Before We Leave, Tate Modern, London, 2011; PXL, Anka Gallery, Portland, Oregon, 2011; Light | Touch, Upper Street Gallery, LCC, London, 2011; Salon Photo Prize 2011, MRA Project Space, London, 2011; Fresh Faced and Wild Eyed 10, The Photographers' Gallery, London, 2010; Collision: Where Image Worlds Meet, Rhubarb East, Birmingham, 2010; Academy Meets Photokina, Cologne, Germany, 2010; Collision: Where Image Worlds Meet, Flowers East Gallery, London, 2010; Paper, Rock, Scissors: The Constructed Image in New British Photography, Flash Forward Festival, Toronto, Canada, 2010
  • Awards

  • Winner, Arts Council Rhubarb Rhubarb Bursary, 2010; Winner, Academy Meets Photokina Award, 2010; Winner, Photoworks Graduate Award, 2009
  • Publications

  • Participating Spaces | FotoFest 2012 Bienale, Schilt Publishing; George Slade, 'Resettlement', Loupe | Journal of the Photographic Resource Centre at Boston University, Volume 2, Issue No 1, February 2011; VORN | Progressive Visuals & Words, Volume 6, Issue No 6, January 2011; Diane Smyth, 'Paper, Rock, Scissors', The British Journal of Photography, Issue No 7781, Volume 157, October 2010; Flash Forward 2010 | Emerging Photographers from Canada, the United Kingdom & the United States, Magenta Foundation, 2010