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Student Showcase Archive

Jong Min Park

MA work

MA work

  • Younpyung island

    Younpyung island, Jongmin Park 2015
    Print
    38cm x 38cm | Photographer: Jongmin Park

  • High Tide

    High Tide , Jongmin Park 2015
    Print
    38cm x 38cm

  • Low tide

    Low tide, Jongmin Park 2015
    Print
    38cm x 38cm

  • Pots components

    Pots components, Jongmin Park, Jessie 2015
    Stoneware
    38cm x 38cm | Photographer: Alex Dickie

  • High  Tide :  Fishing:  4am 05. Jun. 2015

    High Tide : Fishing: 4am 05. Jun. 2015, Jongmin Park 2015
    Print
    38cm x 38cm

  • Lower Tide :  Fish Market :  3pm 05. Jun. 2015

    Lower Tide : Fish Market : 3pm 05. Jun. 2015, Jongmin Park 2015
    Print
    38cm x 38cm

  • Lowest Tide :  Marine life Habitation :  7pm 05. Jun. 2015

    Lowest Tide : Marine life Habitation : 7pm 05. Jun. 2015, Jongmin Park 2015
    Print
    38cm x 38cm

  • oyster on the landline

    oyster on the landline, Jongmin Park 2015
    Print
    38cm x 38cm | Photographer: Jongmin Park

  • United Nations Peacekeeping

    United Nations Peacekeeping, Jongmin Park 2015
    Print
    38cm x 38cm

  • Fish Market

    Fish Market, Jongmin Park 2015
    Print
    38cm x 38cm

  • Seafood Auction and depot

    Seafood Auction and depot, Jongmin Park 2015
    Print
    38cm x 38cm

  • Joint Fishing between North and South Korea

    Joint Fishing between North and South Korea, Jongmin Park 2015
    Print
    38cm x 38cm

Can architecture be neutral in a conflict zone?

South Korea has been in dispute over territory with North Korea for over 60 years. Everyday the military from both countries take part in intensive training over the disputed maritime demarcation line. Daily they prepare to go to war. In this area of extreme dispute, I wonder what role could architecture play.

Three times a month large-scale military exercises fire over 1,000 missiles into the sea. This has lead to severe issues on site. Local people and marine life are getting harmed because of this conflict, causing an imbalance in the natural environment. In other words, the conflict creates a wider conflict.

In response to this situation I will create a neutral area, made up of delicate and fragile islands. These will be used by the fishermen for the public use and will also double up as artificial reefs for marine life. By using materials that can be easily damaged, the islands can represent the vulnerability of the region and remind the two governments of the harm their weapon drills cause.

Info

Info

  • MA Degree

    School

    School of Architecture

    Programme

    MA Architecture, 2015

    Specialism

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  • I am really interested in the impact of the expansion of public space and human behaviours on spaces. My architectural interpretations are partly derived from accumulated historical and spatial understanding, as well as programmes that direct attention to users and the vestiges of life,  because houses, stores and museums are clearly targeted at their users. In addition, I think all the processes of architecture centre on people who have different experiences gathering together at one place and communicating with one another.  



  • Degrees

  • MA Architecture, Hongik University, South Korea, 2012; BE Department of Architecture, Catholic University of Daegu, South Korea, 2009
  • Experience

  • Project manager, mp_Art Architects, Design, Seoul, South Korea, 2009–13; Visiting lecturer, Catholic University of Daegu, Daegu, South Korea, 2012
  • Awards

  • Nominee, RIBA President's Medals, 2015; Nominee, SustainRCA Show & Awards, 2015; First prize, National Museum of Contemporary Art in Seoul Idea Competition; First prize, Gim-hae Urban-landscape Student Competition; Third Prize, Incheon International Urban Design Competition for Students; Second prize, Dae-gu Architecture Competition for Students
  • Publications

  • 'Compulsory Egotistical Architecture', Royal College of Art, 2014 ; 'Open-ended centered education space planning for intergrated educational programs in art museum”', Hongik University, 2012