Hannah Stockton
MA work
MA work
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Lydia Dwight Dead, John Dwight 1674; V&A; Museum London 1055-1871
Stoneware, hand-modelled and salt-glazed
Title of Dissertation: 'Death is a Leveller?' A Common Culture of Grieving in Seventeenth Century England
My dissertation, entitled, '"Death is a Leveller?" A Common Culture of Grieving in Seventeenth Century England' seeks to explore the ways in which the individual experience of grief in seventeenth-century England was shaped by the material design of the funerary ritual. Existing histories have been concerned with the social impact of death rites, though, through extensive archival research and detailed object-based analysis, this dissertation hopes to build upon this picture with an exploration of the personal understanding and enacting of grief.
Through examining the funerals of royal figures and those of the middling and lower sort in Kent, my exploration of funerary material culture and its central role in the design of the ritual experience has revealed that across social divides there was a common culture of grief. While the cultural, religious and intellectual concepts through which death was mediated were diverse, there was a common understanding of how grieving should be experienced and enacted. I argue that the aim of the funerary ritual was to elicit emotional responses from the bereaved. Across social divides, funerary ritual centralised the deceased body or lifelike representations of it, while immersing participants in darkness created a material representation of their emotional state. There was a common culture in which moderate grief was considered appropriate, even necessary to bereavement and funerary ritual was key in facilitating its expression.
Info
Info
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MA Degree
School
School of Humanities
Programme
MA History of Design, 2013
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Contact
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+44 (0)7890 966735
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Title of Dissertation: 'Death is a Leveller?' A Common Culture of Grieving in Seventeenth Century England
My dissertation, entitled, '"Death is a Leveller?" A Common Culture of Grieving in Seventeenth Century England' seeks to explore the ways in which the individual experience of grief in seventeenth-century England was shaped by the material design of the funerary ritual. Existing histories have been concerned with the social impact of death rites, though, through extensive archival research and detailed object-based analysis, this dissertation hopes to build upon this picture with an exploration of the personal understanding and enacting of grief.
Through examining the funerals of royal figures and those of the middling and lower sort in Kent, my exploration of funerary material culture and its central role in the design of the ritual experience has revealed that across social divides there was a common culture of grief. While the cultural, religious and intellectual concepts through which death was mediated were diverse, there was a common understanding of how grieving should be experienced and enacted. I argue that the aim of the funerary ritual was to elicit emotional responses from the bereaved. Across social divides, funerary ritual centralised the deceased body or lifelike representations of it, while immersing participants in darkness created a material representation of their emotional state. There was a common culture in which moderate grief was considered appropriate, even necessary to bereavement and funerary ritual was key in facilitating its expression.
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Degrees
- BA (Hons), History: Renaissance and Modern, University of Warwick, 2011
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Experience
- Cataloguing and research internship, Crab Tree Farm, Chicago, 2013–present; Voluntary research internship, History of Scottish Design Galleries, Victoria & Albert Museum, London, 2013–present; Curatorial internship, Prints, Drawings and Paintings Department, Victoria & Albert Museum, London, 2012; Curatorial work experience, National Maritime Museum, London, 2010
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Awards
- Winner, Clive Wainwright Memorial Prize, Royal College of Art, 2011