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Student Showcase Archive

Hannah Rozenberg

MA work

MA work

  • Post-Binary Digital Landscape

    Post-Binary Digital Landscape, Hannah Rozenberg 2018

  • GU 0 (Gender Unit Zero) Components

    GU 0 (Gender Unit Zero) Components, Hannah Rozenberg 2018

  • Portrait at St James's

    Portrait at St James's, Hannah Rozenberg 2018
    Photographer: Sarah Tahon

  • A Space to Listen

    A Space to Listen, Hannah Rozenberg 2018

  • Post-Binary Instruments

    Post-Binary Instruments, Hannah Rozenberg 2018

Building without Bias: An architectural language for the Post-Binary

Technology is not neutral. We’re inside of what we make, and it’s inside of us. We’re living in a world of connections – and it matters which ones get made and unmade.[1]

Man is to Computer Programmer what Woman is to Homemaker.

The most appropriate pronoun for the word Vulnerable is She whilst Intelligent is better suited to He.

All domestic or administrative AI should be female.

These gendered prescriptions are the result of a machine logic—a logic that indiscriminately infers truths from (often compromised, rarely representative) data; a logic that thus uncovers and embeds problematic prejudices at the heart of contemporary society. 

As automated technology finds its way into our bodies, buildings, and cities, it is essential that it be designed in a way that is free from insidious biases. However, in the case of gender, this is rarely the case. Instead, the artificially intelligent tools that we use on a daily basis amplify and sediment existing gender inequalities.

Building without Bias seeks to discover whether architecture can be used as a tool to reveal, rethink, and revise the biases that are embedded within technology and society.

Inspired by the processes of word embedding, the project first defines a series of 0 GU (Zero Gender Units) architectural components. In the eyes of the contemporary machine, these components are—as a result of the way that they are labelled seen as neither male nor female. This linguistic approach is then developed into a more holistic methodology for designing a post-gender architecture.

Commissioned by OMNI (Organisation for More Nuanced Ideas), a series of post-gender interventions are tested in one of London’s least nuanced areas: St James’s. In 2018, St James’s is still a very exclusive area, with many gentlemen’s clubs and gendered businesses. These institutions are visited by white, wealthy men, and their doors are closed to women or to those who do not belong to this elite.

Five OMNI interventions are designed to disrupt the existing situation of St James’. The purpose of these 0 GU spaces, which vary in scale—from the size of a piece furniture to that of an entire building—is to retrain how we use language. Since technology reflects the biases embedded in our language, the first step towards a non-biased machine is a gender equal language. The interventions therefore house five different programs, each representing a different way in which language is used: viewing, speaking, listening, writing and reading. 

Ultimately, a landscape simulation is designed to maintain an optimally genderless St James’s. The ideal gender neutral masterplan is one in which buildings are no longer individual, exclusive spaces and where the boundaries between programs, forms and genders are merged.

[1]Donna Haraway, ‘A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century’ (1991), pp.149-181




  • MA Degree


    School of Architecture


    MA Architecture, 2018

  • Degrees

  • BA Architecture, University of Kent, 2011
  • Experience

  • Architectural Assistant, Feilden Clegg Bradley Studios, London, 2016-2017; Architectural Assistant, LAVA, Stuttgart, 2015-2016; Architectural Assistant, V2W Architecture Agency, Brussels, 2015
  • Awards

  • KSA Undergraduate Prize for Written Work