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Guillaume Breton

MA work

I am interested in blurring the boundaries between public and private art organisations especially in recent curatorial approaches to art fairs. At the heart of this is the complex relationship between art production, reception and the art market, and its repercussions. I have developed an interest also in the question of accessibility and dissemination of contemporary art, particularly through the potential of popular platforms, such as broadcast and online television. I am currently working on a series of documentaries in collaboration with various artists and a documentary director, which present emerging artist practices and develop exhibitions in these formats.


Info

  • MA Degree

    School

    School of Humanities

    Programme

    MA Curating Contemporary Art, 2011

  • I am interested in blurring the boundaries between public and private art organisations especially in recent curatorial approaches to art fairs. At the heart of this is the complex relationship between art production, reception and the art market, and its repercussions. I have developed an interest also in the question of accessibility and dissemination of contemporary art, particularly through the potential of popular platforms, such as broadcast and online television. I am currently working on a series of documentaries in collaboration with various artists and a documentary director, which present emerging artist practices and develop exhibitions in these formats.


  • Degrees

  • Graduate Diploma, Arts & Literature, University of Aix-Marseille III, France, 2003; Graduate Diploma, Cultural Mediation of Art, University of Aix-Marseille III, France, 2002; Graduate Diploma, Culture and Communication, Université Paris 8, 2000
  • Exhibitions

  • Mouvement d’Idées Continues, Galerie Silin, Paris, France, 2010; The Eccentric, The Idiosyncratic and The Unpredictable , Galerie Schirman & deBeaucé, Paris, France, 2010; Act Out, Louise Blouin Foundation, London, 2008; All That Remains, Auto Italia South East, London, 2007