Erik Hartin
MA work
MA work
As a designer, I enjoy working with people from other disciplines and strive to incorporate curatorial processes into my work, utilising juxtapositions of typography, photography, illustration and design references informed by a broad 

range of sources, from fashion magazines to critical theory and literature.

I am interested in the social and subversive aspects of publishing and distribution, ideas of authorship and the role–playing inherent to collaborative practice. My practice promotes subverted industrialised manufacturing and small-scale, just-in-time production, and is situated in the space between popular culture, art, fashion and my ongoing social and critical dérive.

Info
Info
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MA Degree
School
School of Communication
Programme
MA Visual Communication, 2011
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Contact
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+44 (0)7532 162 231

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As a designer, I enjoy working with people from other disciplines and strive to incorporate curatorial processes into my work, utilising juxtapositions of typography, photography, illustration and design references informed by a broad 

range of sources, from fashion magazines to critical theory and literature.

I am interested in the social and subversive aspects of publishing and distribution, ideas of authorship and the role–playing inherent to collaborative practice. My practice promotes subverted industrialised manufacturing and small-scale, just-in-time production, and is situated in the space between popular culture, art, fashion and my ongoing social and critical dérive.

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Experience
- Art director, Vestoj Magazine, London/Paris, 2010-11; Senior designer, Bon Magazine, Stockholm/London, 2009-11; Acting art director, Vague Paper N°7, London, 2009; Designer and assistant art director, Donald Schneider Studio, Paris, 2007-8
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Exhibitions
- Session_2_Flags, Am Nuden Da, London, 2009; Visual Editor, Royal College of Art, 2009; Peanuts, 0fr Gallery, Paris, 2007