Ellen Stanford
MA work
MA work
The paintings use systems of logic, order and value, such as composition, symmetry and perspective, and attempt to undermine them so that they operate through a type of default representation.
A subjective illusionary space is offered, alluding to architecture but always returning to the image as a formal construct.
The images are preoccupied with the deception of pictorial space, the planes of colour offering multiple possibilities of viewing so that the viewer's perception of the subject is constantly shifting.
The work composes symbols of belief; geometry, colour, the abstract and the spiritual, into a central theme of belief in painting.
Info
Info
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MA Degree
School
School of Humanities
Programme
MA Painting, 2008
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Contact
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07961 522875
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The paintings use systems of logic, order and value, such as composition, symmetry and perspective, and attempt to undermine them so that they operate through a type of default representation.
A subjective illusionary space is offered, alluding to architecture but always returning to the image as a formal construct.
The images are preoccupied with the deception of pictorial space, the planes of colour offering multiple possibilities of viewing so that the viewer's perception of the subject is constantly shifting.
The work composes symbols of belief; geometry, colour, the abstract and the spiritual, into a central theme of belief in painting.
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Degrees
- BA (Hons) Fine Art, University of East London, 2006; BTEC Foundation Diploma in Art and Design, University College Northampton, 2003
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Experience
- Student Exchange, Penn University, Philadelphia, USA, 2007
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Exhibitions
- Degenerates, Blyth Gallery, London, 2008; Spent, Three Colts Gallery, London, 2006; All Surface, No Feeling, Wagdas Gallery, London, 2005; Show, House Gallery, London, 2004