Elizabeth Jane Winstanley

‘Escapism is to escape from everyday reality. The tendency to escape from daily reality or routine by indulging in daydreaming, fantasy, or entertainment’

Drawing inspiration from and celebrating the cultural acid house revolution, eighties nostalgia, sci-fi interpretation, the concept is an immersive sanctuary in the form of an installation that is comparable to another realm. Engaging audiences with visual and sound sensing tactility; utilising shape, colour, surface, sound, film, projection, light and reflections this environment occupies the edge between utopia and dystopia.  Some materials will appear to have naturally grown or been left without human intervention, directly referencing the notion of dystopia, while others will suggest recognisable landscapes. Mesmerising light projections and sounds immerse the spectator, forming an element of Utopia.

Everyday objects are the foundation on which my process begins, transforming them beyond their original form is something I thrive on. Combining media and techniques this work aims to explores an individual’s perception. I often indulge in monotonous techniques, which is a form of therapy and escapism in itself.  I utilise the integration of modern digital technologies such as film with traditional stitch methodologies. Utilising alternative substrates, I question the potential scale and contexts of textiles, and in my opinion, help to reveal new and exciting applications for the use of textiles and embroidery within current art and design contexts. Especially exciting is my application of embroidery as both a constructive device and embellishment process. For example the way in which I use light and movement is often inspired by embroidery stitches.

I aspire to reach audiences in public places, such as indoor and outdoor festivals, clubs, interior and architectural features, lighting festivals, music videos, stage, shows and sets. I intend my work to be appropriate for all ages.