Inside

Egle Kulbokaite

MA work

Prior to the CCA course I have worked with institutions and art spaces such as Bonniers Konsthall in Stockholm, Contemporary Art Centre in Vilnius and Tulips & Roses Gallery in Vilnius. Alongside projects on the MA Curating Contemporary Art, I have recently also co-curated The Cut _at Tensta Konsthall in Stockholm and _Notes for an Exhibition at Crate Studio and Project Space in Margate, UK.


Currently, I am interested in artistic practices that reach out of the gallery space into different contexts. I completed my dissertation on early artistic interventions into the medium of television, and I am continuing my research on the relationship between art and developing technologies. Furthermore I am interested in the ways in which artists express themselves through text and printed matter. In the making of Ritual Without Myth I was responsible for the production of printed matter, communicating with the graphic designer and printers, and this is something that I would like to develop in the future as a curator.


Info

  • MA Degree

    School

    School of Fine Art

    Programme

    MA Curating Contemporary Art, 2012

  • Prior to the CCA course I have worked with institutions and art spaces such as Bonniers Konsthall in Stockholm, Contemporary Art Centre in Vilnius and Tulips & Roses Gallery in Vilnius. Alongside projects on the MA Curating Contemporary Art, I have recently also co-curated The Cut _at Tensta Konsthall in Stockholm and _Notes for an Exhibition at Crate Studio and Project Space in Margate, UK.


    Currently, I am interested in artistic practices that reach out of the gallery space into different contexts. I completed my dissertation on early artistic interventions into the medium of television, and I am continuing my research on the relationship between art and developing technologies. Furthermore I am interested in the ways in which artists express themselves through text and printed matter. In the making of Ritual Without Myth I was responsible for the production of printed matter, communicating with the graphic designer and printers, and this is something that I would like to develop in the future as a curator.


  • Degrees

  • BA (Hons), History of Art, University of Warwick, 2009
  • Experience

  • Curator's assistant, Bonniers Konsthall, Stockholm, Sweden, 2010; Curator's assistant, Tulips & Roses, Vilnius, Lithuania, 2008; Curator's assistant, Contemporary Art Centre, Vilnius, Lithuania, 2008