Egle Kulbokaite
MA work
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Una Turandiade Buzziana (in forma di note), Patrizio Di Massimo
HD video animation and theatre installation with stereo sound, 44'Una Turandiade Buzziana (in forma di note), Patrizio Di Massimo
HD video animation and theatre installation with stereo sound, 44'
Prior to the CCA course I have worked with institutions and art spaces such as Bonniers Konsthall in Stockholm, Contemporary Art Centre in Vilnius and Tulips & Roses Gallery in Vilnius. Alongside projects on the MA Curating Contemporary Art, I have recently also co-curated The Cut _at Tensta Konsthall in Stockholm and _Notes for an Exhibition at Crate Studio and Project Space in Margate, UK.
Currently, I am interested in artistic practices that reach out of the gallery space into different contexts. I completed my dissertation on early artistic interventions into the medium of television, and I am continuing my research on the relationship between art and developing technologies. Furthermore I am interested in the ways in which artists express themselves through text and printed matter. In the making of Ritual Without Myth I was responsible for the production of printed matter, communicating with the graphic designer and printers, and this is something that I would like to develop in the future as a curator.
Info
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MA Degree
School
School of Humanities
Programme
MA Curating Contemporary Art, 2012
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Contact
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Prior to the CCA course I have worked with institutions and art spaces such as Bonniers Konsthall in Stockholm, Contemporary Art Centre in Vilnius and Tulips & Roses Gallery in Vilnius. Alongside projects on the MA Curating Contemporary Art, I have recently also co-curated The Cut _at Tensta Konsthall in Stockholm and _Notes for an Exhibition at Crate Studio and Project Space in Margate, UK.
Currently, I am interested in artistic practices that reach out of the gallery space into different contexts. I completed my dissertation on early artistic interventions into the medium of television, and I am continuing my research on the relationship between art and developing technologies. Furthermore I am interested in the ways in which artists express themselves through text and printed matter. In the making of Ritual Without Myth I was responsible for the production of printed matter, communicating with the graphic designer and printers, and this is something that I would like to develop in the future as a curator.
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Degrees
- BA (Hons), History of Art, University of Warwick, 2009
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Experience
- Curator's assistant, Bonniers Konsthall, Stockholm, Sweden, 2010; Curator's assistant, Tulips & Roses, Vilnius, Lithuania, 2008; Curator's assistant, Contemporary Art Centre, Vilnius, Lithuania, 2008