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Student Showcase Archive

Dominic Till

MA work

MA work

  • Where we stood once removed, where we stand twice returned.

    Where we stood once removed, where we stand twice returned., 2017
    Mixed Media

  • Is it changing, or just rearranging?

    Is it changing, or just rearranging?, 2017
    Mixed Media

  • Is it changing, or just rearranging?

    Is it changing, or just rearranging?, 2017
    Mixed Media

  • Is it changing, or just rearranging?

    Is it changing, or just rearranging?, 2017
    Mixed Media

  • I came, I left, I am still there.

    I came, I left, I am still there., 2016
    Jesmonite and ratchet straps.

  • Pillow, Sheet, Pillow.

    Pillow, Sheet, Pillow., 2016
    Aluminium, cotton and feathers

  • Pillow, sheet, pillow.

    Pillow, sheet, pillow., 2016
    Aluminium, cotton and feathers

  • Pillow, sheet, pillow.

    Pillow, sheet, pillow., 2016
    Aluminium, cotton and feathers

Where we stood once removed, where we stand twice returned.

Where we stood once removed, where we stand twice returned looks at ideas surrounding displacement amongst humankind and the relationships we hold with others. This manifests itself through a moving image and sound installation. I am looking at the ways one may position oneself within different social realms whilst interrogating what this entails so that differing narratives can be formed, dependent upon the viewer/listener.

Looking at the presence of others, in relation to the comings and goings one experiences throughout our lives, and this being a repetitive element that is an unavoidable aspect of human-lie. Through this work I am attempting to seek out connections through metaphors that can be attached to experience and subsequently communicated through sound which is triggered via motion sensors, highlighting the need for human presence for the piece to become active (a coming and going in itself). The presence of others is explored different moving image pieces of people waving, that goes in and out of a negative space (present/not present). I am attempting to create an immersive experience where the viewer/listener can explore what their own attachments to these sounds might be, as they are not necessarily prescribed and think about those comings and goings that I previously mentioned.

I strive to engage the viewer/listener, through the presence of others, as I aspire for it to be physical experience of their own. This is a prompt for the opening up of one's own personal attachments and discourse in relation to others. These others may be known or unknown, they may be the bodies of those that are placed within the work or alternatively the bodies that they themselves know.

Info

Info

  • MA Degree

    School

    School of Humanities

    Programme

    MA Photography, 2017

  • My work deals with ideas surrounding displacement amongst humankind and domesticity through people in the home, and also in regard to the relationships we hold with others. This typically manifests itself through sculpture and sound installation whilst ultimately resting in a linguistic sphere. Looking at the ways one may position oneself within different social realms whilst interrogating what this entails so that differing narratives can be formed, dependent upon the viewer/listener.

    Looking at the presence of others, I often seek out connections between objects and experience. Looking at how that can be recollected and explored through verbal and metaphorical narratives. Through the use of sound and sculpture, often presented in conjunction with one another, I often try and locate these narratives though tales told by participants. By forming these narratives, I strive to engage the viewer/listener, through the presence of others, into a physical experience of their own. This is a prompt for the opening up of one's own personal attachments and discourse in relation to others. These others may be known or unknown, they may be the bodies of those that are placed within the work or alternatively the bodies that they themselves know.

  • Degrees

  • BA Photography, University of Plymouth, 2015
  • Exhibitions

  • At Home She's a Tourist, Copeland Gallery, London, 2017 - Curated by Tom Lovelace; Offprint, Tate Modern, London, 2017; Telling Tales, 45-61 Duke Street, Liverpool, 2016 - In association with Open Eye Gallery); 2:1 + Subtitle, Safehouse 2, London, 2017; What's the Point of it All?, 5th Base Gallery, London, 2016; SALON/15, Photofusion, London, 2015; Cream 2015, University of Brighton Gallery, Brighton, 2015; South West Graduate Photography Prize 2015, Photoblock, Old Truman Brewery, London, 2015; Beyond the Camera, Pingyao International Photography Festival, Pingyao, China, 2017 - Curated by Sian Bonnell
  • Awards

  • Magnum Graduate Photographers Award 2016 (Nominee); South West Graduate Photography Prize 2015 (Shortlisted)
  • Publications

  • XL Catlin Art Guide 2016; British Journal of Photography, May 2017; Source Photographic Review: Summer 2015, Issue 83, 2015; South West Graduate Photography Prize, Fotonow, 2015