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Student Showcase Archive

Denise Hagströmer

PhD Work

PhD work

Title of dissertation: In Search of a National Vision: Swedish Embassies from the Mid-twentieth Century to the Present


My PhD thesis charts the meeting of ‘Swedish Modern’ and international high politics in Swedish embassies. It examines how national values were and are materialised and expressed in selected cases. The construction, use and experience of both exteriors and interiors are analysed. Current knowledge of Swedish embassies is very superficial, despite an ongoing reassessment of the country’s national design legacy. 


My study examines how embassies ‘work’, and assesses the architectural dialogue between the Swedish embassies and their host nations. It might be expected that a nation’s embassies be similar across the world; but my thesis demonstrates that this is conclusively not the case. An embassy design and spatial typology is also provided, together with analysis of the contributions by professionals and those, previously overlooked, including the diplomat spouse as amateur producer of events. Primary sources including national and personal archives and interviews, are synthesised with ideas coming from recent international research concerning nationalism, nation building and nation formation.


This thesis contests the prevailing narrow conceptions of Swedish modernity and received notions of the homogenous and stereotypical image of Swedish Modernism and posits an inflected historicist–traditionalist form of Swedish Modern. It also provides a new perspective on the design and material culture of Swedish ‘welfare nationalism’ and Swedish international identity.


Info

Info

  • PhD

    School

    School of Humanities

    Programme

    History of Design, 2004–2011

  • Title of dissertation: In Search of a National Vision: Swedish Embassies from the Mid-twentieth Century to the Present


    My PhD thesis charts the meeting of ‘Swedish Modern’ and international high politics in Swedish embassies. It examines how national values were and are materialised and expressed in selected cases. The construction, use and experience of both exteriors and interiors are analysed. Current knowledge of Swedish embassies is very superficial, despite an ongoing reassessment of the country’s national design legacy. 


    My study examines how embassies ‘work’, and assesses the architectural dialogue between the Swedish embassies and their host nations. It might be expected that a nation’s embassies be similar across the world; but my thesis demonstrates that this is conclusively not the case. An embassy design and spatial typology is also provided, together with analysis of the contributions by professionals and those, previously overlooked, including the diplomat spouse as amateur producer of events. Primary sources including national and personal archives and interviews, are synthesised with ideas coming from recent international research concerning nationalism, nation building and nation formation.


    This thesis contests the prevailing narrow conceptions of Swedish modernity and received notions of the homogenous and stereotypical image of Swedish Modernism and posits an inflected historicist–traditionalist form of Swedish Modern. It also provides a new perspective on the design and material culture of Swedish ‘welfare nationalism’ and Swedish international identity.


  • Degrees

  • MA, History of Design, Victoria and Albert Museum/Royal College of Art, 1990; Fil.kand., History of Art, subsidiary French and English, Stockholm University, 1987
  • Experience

  • Senior Lecturer in Design History and Theory, Konstfack, National College of Art and Design, Stockholm, 1999-2009; Peer Reviewer , Journal of the Design History Society (Oxford University Press), since 2008; External Examiner in Design History, National College of Art and Design, NCAD, Dublin, 2002-5; Reader, Bard Graduate Center of the Decorative Arts, Design and Culture, New York, 2003
  • Exhibitions

  • Curator and organiser: Free Radicals: at the art/design interface exhibition and symposium, as part of the British Council British Design Season, Konstfack, National College of Art and Design, Stockholm, 2001; Curator and organiser: Evolution pas la Révolution (Swedish design exhibition), Saint Etienne Design Biennale, Saint Etienne, 1999; Curator and organiser: A Hundred Years of the Larsson Ideal, Victoria and Albert Museum, London, 1997-8; Curator and organiser: Ethics and Aesthetics (Scandinavian design exhibition), Design Museum, London, 1992-3
  • Awards

  • Grant recipient, Ragnar Söderbergs Stiftelse Research Award, 2009-10; Grant recipient, Catarina and Sven Hagströmers Stiftelser Research Award, 2007-9; Grant recipient, Royal College of Art, School of Humanities Post-graduate Award, 2004