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Student Showcase Archive

Colleen McGonegle

MA work

MA work

  • Collection of Collapsible Top Hats

    Collection of Collapsible Top Hats, Royal Albert Memorial Museum
    Photographer: Colleen McGonegle

  • Gibus Patent, 1845.

    Gibus Patent, 1845.
    Photographer: Colleen McGonegle

  • Detail from a fashion illustration

    Detail from a fashion illustration , The Gentleman's Magazine of Fashion 1876
    Photographer: Colleen McGonegle

  • The Inconvenience of Bringing One's Hat into a Crowded Party

    The Inconvenience of Bringing One's Hat into a Crowded Party , Punch 1848
    Photographer: Colleen McGonegle

The Rise And Fall Of The Collapsible Top Hat: Manliness, Technology and Novelty in Nineteenth Century London, 1812–1905

This dissertation set out to investigate the collapsible top hat in the context of nineteenth-century Britain in three chapters.

The first chapter set out to place the use of collapsible top hat in context, providing insight into the importance of visual demonstrations of class. It also explored the role of the collapsible top hat in the performance of manliness in the public spaces of leisure and travel, while tying these ideas into thoughts of the hat as a symbol of conspicuous consumption.

The second chapter dealt with the technology within the hat, looking to put it in context of innovation, patenting practices in nineteenth-century Britain. This chapter also makes the argument that the life of the top hat as a popular form of headwear was extended by the collapsible top hat that worked to mitigate some of the practical issues of the top hat.

The third chapter discusses the role of novelty in the collapsible top hat, both as a marketing device and as a consumer consideration. It also brings up questions regarding the role of novelty in manliness, identity and the popularity of the Gibus style collapsible top hat. To do this, patent records from the National Archives at Kew and the Institut National de la Propriété Industrielle in Paris were used.

Surviving collapsible top hats in collections throughout the UK were located and research visits were made to the Victoria and Albert Museum, Ascot Top Hats Ltd., the Snowhill Wade Costume Collection, the Killerton Collection, the Royal Albert Memorial Museum, and the Fashion Museum in Bath. Article and illustrations from Punch and the Gentleman’s Magazine of Fashion from 1828 – 1895 were consulted. Newspapers, etiquette and hatters manuals were also used to create a base of primary research.



  • MA Degree


    School of Humanities


    MA History of Design, 2015

  • From straw embroidered stomachers to collapsible top hats, everything about clothing fascinates me. I am interested exploring not only who wore what clothes, but how the clothing was made, and what effect that had on contemporary perceptions of the clothing.  
  • Degrees

  • BFA, University of Illinois Urbana-Champaign, 2003