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Student Showcase Archive

Charlie Godet Thomas

MA work

MA work

  • Untitled (Unfurl, Unfold, Unravel) - detail

    Untitled (Unfurl, Unfold, Unravel) - detail

  • Untitled (Evil Knievel Died of Natural Causes No.2)

    Untitled (Evil Knievel Died of Natural Causes No.2)
    Cast Rubber, Pigment, Plastic Bag, Lemon Juice

Info

Info

  • Charlie Godet Thomas
  • MA Degree

    School

    School of Humanities

    Programme

    MA Sculpture, 2014

  • The expression that there is nothing to express, nothing with which to express, no desire to express, along with the obligation to express. 1

    Charlie Godet Thomas explores images and objects transforming them through the antithetical use of sculpture, installation, collage and photography. More interested in the tone of a work than confining it to a particular medium or genre, he works in a language of contradictions - humour and melancholia, the two-dimensional and the sculptural, reduction and assemblage, design and the incidental, the personal and the universal. His works, just as life is, are a product of these oppositional forces.

    I translate the everyday through making, revealing that it is at once sad and delightful, “our greatest blessing and most despicable complacency.”2

    Dr Melanie S J Francis, 2014


    1 Samuel Beckett, from the Duthuit Dialogues

    2 The artist quoting Ben Highmore, Ordinary Lives

    "Midwives and morticians, paupers and princes, go about their everyday lives. Everything can become everyday, everything can become ordinary: it is our greatest blessing, our most human accomplishment, our greatest handicap, our most despicable complacency." 

  • Degrees

  • BA (Hons) Fine Art, Manchester School of Art, 2009
  • Exhibitions

  • Dizziness of Freedom, Bermondsey Projects, London, 2014; Bending Light, Home Platform, Bristol, 2014; Artlacuna, London, 2014; Motorcade / Flashparade, Bristol, 2014; Oriel Davies Open, Oriel Davies Gallery, Powys, Wales, 2014; Backfill, Royal College of Art, London, 2014; Edinburgh Sculpture Court, Edinburgh, 2013; WIP Show, RCA, London, 2013; Exeter Contemporary Open, Exeter Phoenix Gallery, Exeter, 2013; Poppositions Art Fair (Curated by George Major), Brussels, 2013; Open Plan (Curated by Louise Ashcroft), Departure Foundation, London, 2013; Re-interpreting the European Collection, Bermuda National Gallery, Bermuda, 2013; Bildungsroman (Curated by Craig Dow and Francis Thorburn), Bun House / Field Projects, London, 2012