Charlie Godet Thomas
MA work
MA work
Info
Info
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MA Degree
School
School of Humanities
Programme
MA Sculpture, 2014
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Contact
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+44 (0)771 537 7547
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The expression that there is nothing to express, nothing with which to express, no desire to express, along with the obligation to express. 1
Charlie Godet Thomas explores images and objects transforming them through the antithetical use of sculpture, installation, collage and photography. More interested in the tone of a work than confining it to a particular medium or genre, he works in a language of contradictions - humour and melancholia, the two-dimensional and the sculptural, reduction and assemblage, design and the incidental, the personal and the universal. His works, just as life is, are a product of these oppositional forces.I translate the everyday through making, revealing that it is at once sad and delightful, “our greatest blessing and most despicable complacency.”2
Dr Melanie S J Francis, 2014
1 Samuel Beckett, from the Duthuit Dialogues
2 The artist quoting Ben Highmore, Ordinary Lives
"Midwives and morticians, paupers and princes, go about their everyday lives. Everything can become everyday, everything can become ordinary: it is our greatest blessing, our most human accomplishment, our greatest handicap, our most despicable complacency."
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Degrees
- BA (Hons) Fine Art, Manchester School of Art, 2009
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Exhibitions
- Dizziness of Freedom, Bermondsey Projects, London, 2014; Bending Light, Home Platform, Bristol, 2014; Artlacuna, London, 2014; Motorcade / Flashparade, Bristol, 2014; Oriel Davies Open, Oriel Davies Gallery, Powys, Wales, 2014; Backfill, Royal College of Art, London, 2014; Edinburgh Sculpture Court, Edinburgh, 2013; WIP Show, RCA, London, 2013; Exeter Contemporary Open, Exeter Phoenix Gallery, Exeter, 2013; Poppositions Art Fair (Curated by George Major), Brussels, 2013; Open Plan (Curated by Louise Ashcroft), Departure Foundation, London, 2013; Re-interpreting the European Collection, Bermuda National Gallery, Bermuda, 2013; Bildungsroman (Curated by Craig Dow and Francis Thorburn), Bun House / Field Projects, London, 2012