Anna Grenman
MA work
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A LINE IN TIME, ANNA GRENMAN 2018
PAPER, LETTERPRESS, VIDEO
VIDEO STILL | Photographer: ANNA GRENMANA LINE IN TIME, ANNA GRENMAN 2018
PAPER, LETTERPRESS, VIDEO
VIDEO STILL | Photographer: ANNA GRENMAN -
A LINE IN TIME, ANNA GRENMAN 2018
PAPER, LETTERPRESS, VIDEO
VIDEO STILL | Photographer: ANNA GRENMANA LINE IN TIME, ANNA GRENMAN 2018
PAPER, LETTERPRESS, VIDEO
VIDEO STILL | Photographer: ANNA GRENMAN -
A LINE IN TIME, ANNA GRENMAN 2018
PAPER, LETTERPRESS, VIDEO
VIDEO STILL | Photographer: ANNA GRENMANA LINE IN TIME, ANNA GRENMAN 2018
PAPER, LETTERPRESS, VIDEO
VIDEO STILL | Photographer: ANNA GRENMAN -
A LINE IN TIME, ANNA GRENMAN 2018
PAPER, LETTERPRESS, VIDEO
VIDEO STILL | Photographer: ANNA GRENMANA LINE IN TIME, ANNA GRENMAN 2018
PAPER, LETTERPRESS, VIDEO
VIDEO STILL | Photographer: ANNA GRENMAN -
Play
A line in time
You,
On the line
In time
All along that line
In time
In the front line
In time
Bottom of the line
In time
Bring you into line
In time
Come down to the line
In time
Give me that line
In time
Draw a line
In time
Drop a line
In time
Fall in line
In time
Feed a line
In time
Fear a line
In time
Go down the hard line
In time
Be in line
In time
Lead the line
In time
Keep the line
In time
Lay on the line
In time
Your neck on the line
In time
Info
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MA Degree
School
School of Communication
Programme
MA Information Experience Design, 2018
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Contact
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+44 (0)7885 623794
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I'm a moving image artist working with metaphor and mythology.
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Degrees
- University Of The Arts London, Animation FDA; Escuela De Cine Ciudad De La Luz, Cinematography Post Graduate Diploma; Malmo University, Production Management Within Media, BSc
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Exhibitions
- Art Basel, Miami, 2016; Victoria & Albert Museum, London, 2017; Design Museum, London, 2017; Cabinet Gallery, New York, 2017; Splice Film Festival, London, 2017; Southbank Centre, London, 2014; The Commonwealth Games, Glasgow, 2014; South Kiosk Gallery, London, 2017
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Awards
- Canon Film Prize 2010
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Publications
- Women Cinemakers, Interview by Francis Quettier and Dora Tennant, 2017, pp. 172–197