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Student Showcase Archive

André Kong

MA work

MA work

  • Blueprint for a Hack Circus

    Blueprint for a Hack Circus, Andre Kong 2014
    Digital Print

  • Blueprint for a Hack Circus (detail)

    Blueprint for a Hack Circus (detail), Andre Kong 2014
    Digital Print

  • Hack Circus Dream

    Hack Circus Dream, Andre Kong 2014
    Photograph, Digital Print

  • Axonometric Section (Hack Circus)

    Axonometric Section (Hack Circus), Andre Kong 2014
    Digital Print

  • Conditions and Growth Stages (Detail)

    Conditions and Growth Stages (Detail), Andre Kong 2014
    Digital Print

  • Soligami


  • Soligami (detail)

    Soligami (detail), Andre Kong and Jiayu Liu 2013
    Mixed Media Electronics

  • Connecting Pulses - An Experiment (WIP show)

    Connecting Pulses - An Experiment (WIP show), Andre Kong 2014
    Mixed media installation

  • Augmented Tragedy I

    Augmented Tragedy I, Andre Kong 2013
    Digital Print

  • Augmented Tragedy III

    Augmented Tragedy III, Andre Kong 2013
    Digital Print

Hack Circus

Hack Circus: A theatre for the post-tragic condition of subverted capitalist technologies

The Hack Circus is a post-tragic critique of current technologies, which are masking real climate change under the guise of a seamless, virtually augmented, continuum of trivial delights. Reacting to a digitally ‘media-ted’ surveillance society, Hack Circus proposes a radical, social-libertarian, self-sustainable community, leveraging itself off existing hardware, hacking ‘alternatives,’ unlocking their full potential and going beyond the narrow limitations of ecological design towards a wider ecological ontology.

Mashing the subversive model of Burning Man festival and the formative role of Hackspaces, together with the belief that escape is only possible through an offensive system reset, the ‘Ad-hackers’ (a group of tinkerers who redefine the possibilities of existing technology), leave London for the water. Here the first crowd-funded Hackfest (the annual hackathon event) is hosted in its germinal amphitheatre and from it THE CIRCUS IS BORN. As the alienated community grows and floats down the Thames, ties with power structures, ideology and the obsolete value system of the city are gradually severed until it sets itself free, beyond territorial waters and, in an act of ‘sousveillance,’ taps into a submarine Internet cable in the North Sea.

The Hack Circus is potentially the first node in a wider global network of linked hacker-maker communities. Set within a dialogue of bottom-up and top-down design, the architecture of the Circus is hackable, adaptive and augmentable; it is receptive, open-source, and resilient.



  • Andre Kong
  • MA Degree


    School of Architecture


    MA Architecture, 2014


    ADS1 (Yr1), ADS5 (Yr2)

  • My architectural practice and research is set at the intersection of social behaviour and digital culture. I am interested in the interface between the fields of emerging technology and architecture. I am particularly attracted to exploring open-source design, social networks, augmentation, and digital ecologies. Throughout my work there is a concern for innovative sustainability – a bottom line I believe should be a common denominator in all design work today.

  • Degrees

  • MSc Construction Management, Cass Business Scool (City), 2012; MA (Hons) Architectural Design, University of Edinburgh, 2011
  • Experience

  • Architectural assistant, Grimshaw, London, 2013; Architectural assistant, Aires Mateus, Lisbon, 2009, 2010; Architectural assistant, Opera Projects, Barcelona, 2010
  • Exhibitions

  • School of Architecture Work-in-progress Show, RCA, London, 2013; School of Architecture Work-in-progress Show, RCA, London, 2012; Dataspace, Victoria & Albert Museum, London, 2012; RIAS Awards, The Lighthouse, Glasgow, 2011; Degree Show, University of Edinburgh, 2011
  • Awards

  • RIBA WLAS Award, First Year Work (RCA), 2013; Santander Award for Postgraduate Performance, 2012
  • Publications

  • Harold Linton, Portfolio Design (Fourth edition), 2012; Xinru Long and Jiangshan Zhou, The Art of Data Visualization: Decoding Visual Dialogues in Information Visualisation in the UK, due 2015