-
Select a School
School of Arts & Humanities -
Select a Programme
Painting -
Select a Student
Fernando M. Romero
Fernando M. Romero
Show RCA work
-
Seeing is also a movement_01, Fernando M. Romero 2019
Oil on paper and wood.
210 cm x 200 cm x 200 cmSeeing is also a movement_01, Fernando M. Romero 2019
Oil on paper and wood.
210 cm x 200 cm x 200 cm -
Seeing is also a movement_01 (detail), Fernando M. Romero 2019
Oil on paper and wood.
210 cm x 200 cm x 200 cmSeeing is also a movement_01 (detail), Fernando M. Romero 2019
Oil on paper and wood.
210 cm x 200 cm x 200 cm -
Punched card (punctuation), Fernando M. Romero 2019
Oil painting on paper and plywood, holes and music score.
30 cm x 21 cmPunched card (punctuation), Fernando M. Romero 2019
Oil painting on paper and plywood, holes and music score.
30 cm x 21 cm -
Seeing is also a movement_02, Fernando M. Romero 2019
Oil on fabric and plywood.
100 cm x 70 cmSeeing is also a movement_02, Fernando M. Romero 2019
Oil on fabric and plywood.
100 cm x 70 cm -
My language is a skin, Fernando M. Romero 2018-19
Oil on fabric and wood.
60 cm x 50 cmMy language is a skin, Fernando M. Romero 2018-19
Oil on fabric and wood.
60 cm x 50 cm
Major project:
Seeing is also a movement
Seeing is also a movement explores the limits and flaws of translation and communication across paintings, sounds and a two-screen video projection. Etymologically, translation implies an act of moving or carrying across from one place to another. The works in the show embrace this approach to operating in the borders between sound and image, writing and rewriting, tracing this tilting oscillation in paintings, surfaces, notations, music and patterns which develop an unexpected conversation throughout the exhibition space.
Info
-
-
School
School of Arts & Humanities
Programme
MA Painting
-
Contact
-
-
My work arises from the collision or translation between different codes, languages and fields such as painting, sound, text and poetry. Etymologically, translation implies an act of moving or carrying across from one place to another. My practice adopts this approach to operate in the borders between sound and image, writing and rewriting, tracing this tilting movement across painting, surfaces, notations, music and patterns.
In a world where everything seems to be continuously translated and computed at an increasing speed, the question of what the limits and flaws of translation are keeps me wondering and driving my practice.
-
Previous degrees
- BA Fine Art, University of Granada, Spain, 2004
-
Awards
- Creation Scholarship, RAFAEL BOTÍ ART FOUNDATION, 2001