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Show RCA 2019

Eda Sarman

Show RCA work

  • I know where I am, but I don’t feel that I am when I am, the snake hissed leaving the water

    I know where I am, but I don’t feel that I am when I am, the snake hissed leaving the water, 2019
    3 minute loop video + swirling snake + metal frame with square and ripple footings

    I know where I am, but I don’t feel that I am when I am, the snake hissed leaving the water, 2019
    3 minute loop video + swirling snake + metal frame with square and ripple footings

  • is an eye is a balance is a compass

    is an eye is a balance is a compass, 2018
    3 minute loop video + two lightweight screens + machine handle

    is an eye is a balance is a compass, 2018
    3 minute loop video + two lightweight screens + machine handle

  • is an eye is a balance is a compass

    is an eye is a balance is a compass, 2018
    3 minute loop video + two lightweight screens + machine handle

    is an eye is a balance is a compass, 2018
    3 minute loop video + two lightweight screens + machine handle

  • back so forth, two steps forward one back, backwards and forwards

    back so forth, two steps forward one back, backwards and forwards, 2018
    15 minute loop video + 30 radio stations + gear handle

    back so forth, two steps forward one back, backwards and forwards, 2018
    15 minute loop video + 30 radio stations + gear handle

  • back so forth, two steps forward one back, backwards and forwards

    back so forth, two steps forward one back, backwards and forwards, 2018
    15 minute loop video + 30 radio stations + gear handle

    back so forth, two steps forward one back, backwards and forwards, 2018
    15 minute loop video + 30 radio stations + gear handle

Major project:

I know where I am, but I don’t feel that I am when I am, the snake hissed by the water

Witness to a confined reality, the snake in the blue swirls in the water of embodied indebtedness as does the fantasy from generation to generation. This spatial montage is an act to shed the reality of the perpetual past for the possibility of being otherwise.
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Contemporary Art Practice
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Info

  • To access place as an active/fleshy organism, Eda’s practice evolves on the intersection of architecture, phenomenology and tentacular thinking. Place, moulded by us, holds patterns dictating our lives from yesterday to tomorrow. Eda’s devices find themselves in an endeavour to demystify places of their tales and myths, bonding rituals, traces of structural power to trespass a linear understanding of time and an isolated perception of space.

  • Previous degrees

  • Bachelor of Architecture, Pratt Institute, New York, 2016

  • Experiences

  • Junior architect, Efficiency Lab for Architecture, New York, 2017

  • Exhibitions

  • 'Open Screening', Whitechapel Gallery, London, 2019; 'MIASMA', 504arch, London, 2019; 'together|ness', Assembly Point, London, 2019; 'FTHoTV', Flat Time House, London, 2019; 'Call Home', Art Licks Weekend: Peripheries, London, 2018; 'Vardiya|Shift participant', Pavilion of Turkey, International Architecture Biennial, Venice, 2018; 'Altered States', St John's Crypt, London, 2018; 'Soap Box', Close-up Cinema, London, 2018; Work-in-progress Show, Royal College of Art, Dyson Gallery, London, 2018

  • Publications

  • documenting place as us, 2018, 72 pages

  • Awards

  • Relax, CW+ Moving Image Commission, 2018
Royal College of Art

Registered Office: Royal College of Art, Kensington Gore, London SW7 2EU