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Student Showcase Archive
Public

The Urgency of The Arts Assembly: I Need To Talk To You Urgently

17 March 2021 | 5pm – 7pm

Online

Join the second Urgency of The Arts Assembly: I Need To Talk To You Urgently, with guest speakers: Peaches, Tianzhuo Chen, Hito Steyerl & Larry Achiampong.

Each  speaker, nominated by a current student from the School of Arts & Humanities at the RCA , will present an issue that is most important and most pressing to them right now.

Presentations will be followed by Q&A. The event will be held via Zoom Webinar. Please note the link will be sent to attendees via email.


Hito Steyerl – introduced by Deming Huang & Laura Moreton-Griffiths

Hito Steyerl is a filmmaker, visual artist, writer, and innovator of the essay documentary. Her prolific filmmaking and writing occupies a highly discursive position between the fields of art, philosophy and politics, constituting a deep exploration of late capitalism’s social, cultural and financial imaginaries. Her films and lectures have increasingly addressed the presentational context of art, while her writing has circulated widely through publication in both academic and art journals, often online.

She studied Documentary Film Directing at the Japan Institute of the Moving Image and at the HFF – University of Television and Film in Munich. She subsequently studied Philosophy at the Academy of the Arts in Vienna, where she received her doctorate.

She is Professor for Experimental Film and Video at the UdK – University of the Arts, Berlin, where she founded the Research Center for Proxy Politics together with Vera Tollmann and Boaz Levin.

Tianzhuo Chen – introduced by Ruocong Ma

Works in Beijing, China. After graduating from Central Saint Martins in London, he received his master’s degree in fine art from the Chelsea College of Arts in London.

Chen skillfully works between the artistic disciplines of installation, performance, video, painting, and photography, but he also creates events that require the participation of viewers or other people, such as underground parties, theater performances, or more precisely constructed ritual sites, to realize their transformation into dreamworlds. He assimilates elements and symbols from religion (e.g., Buddhism, Hinduism, Christianity, and shamanism), subcultures (e.g., cult followings, drag shows, and raves), popular culture (e.g., cartoons, hip hop, and electronic music), and dance (e.g., butoh and vogueing) into his work, in the hopes that the viewer or participant will transcend the surface state of the body and spirit through that ambience and achieve what the artist calls a 'state of madness.'

Recent solo exhibitions include “Trance” (M Woods Museum, Beijing, 2019), “GHOST” (Kunsthalle Winterthur, Winterthur, 2017), “Ishvara” (Long March Space, Beijing, 2016), “Chen Tianzhuo” (chi K11 Art Museum, Shanghai, 2016), and “Tianzhuo Chen” (Palais de Tokyo, Paris, 2015).

Peaches – introduced by Sara Sarshar

An iconic feminist musician, producer, director, and performance artist, Peaches has spent nearly two decades pushing boundaries and wielding immeasurable influence over mainstream pop culture from outside of its confines, carving a bold, sexually progressive path in her own image that's opened the door for countless others to follow. She’s collaborated with everyone from Iggy Pop and Daft Punk to Kim Gordon and Major Lazer, had her music featured cultural watermarks like Lost In Translation, The Handmaid's Tale, and Broad City among others, and seen her work studied at universities around the world.

Dubbed a “genuine heroine” by the New York Times, Peaches has released five critically acclaimed studio albums blending electronic music, hip-hop, and punk rock while tackling gender politics, sexual identity, ageism, and the patriarchy. Uncut has raved that her work brought together "high art, low humour and deluxe filth [in] a hugely seductive combination,” while Rolling Stone called her 'surreally funny [and] nasty.'

Larry Achiampong – introduced by Kevin Siwoff

Larry Achiampong's solo and collaborative projects employ imagery, aural and visual archives, live performance and sound to explore ideas surrounding class, cross-cultural and post-digital identity.

With works that examine his communal and personal heritage – in particular, the intersection between pop culture and the postcolonial position, Achiampong crate-digs the vaults of history. These investigations examine constructions of ‘the self’ by splicing the audible and visual materials of personal and interpersonal archives, offering multiple perspectives that reveal entrenched socio-political contradictions in contemporary society.

Achiampong has exhibited, performed and presented projects within the UK and abroad including Tate Britain/Modern, London; The Institute For Creative Arts, Cape Town; The British Film Institute, London; David Roberts Art Foundation, London; Kunsthal Charlottenborg, Copenhagen; Bokoor African Popular Music Archives Foundation, Accra; Logan Center Exhibitions, Chicago; Prospect New Orleans, New Orleans; Diaspora Pavilion – 57th Venice Biennale, Venice; and Somerset House, London.

Achiampong’s recent residencies include Tyneside Cinema, Newcastle; Praksis, Oslo; The British Library/Sound & Music, London; Wysing Arts Centre, Cambridge; and Primary, Nottingham and Somerset House Studios (London).

The Urgency of the Arts
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