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Student Showcase Archive

Noémie Doge

MA work

MA work

  • Unfolded #13 - #15

    Unfolded #13 - #15, Noémie Doge 2014
    inkjet print on paper, wood
    40 x 300 x 40 cm | Photographer: Philomène Hoël

  • Unfolded #16 (melancholia imaginativa)

    Unfolded #16 (melancholia imaginativa), 2014
    inkjet print on Hahnmühle German etching paper 310 gm2
    120 x 85 cm

  • unfolded #11 (trigonotarbida)

    unfolded #11 (trigonotarbida), Noémie Doge 2014
    graphite on paper
    126 x 80.5 cm | Photographer: Dominic Tschudin

Unfolded

 I make drawings to escape from reality. Each pencil stroke erases daily life and creates a new world. Dragons, spiders and birds appear and talk to me. They keep me company during the entire process. Their appearance calms me down. They have chosen me.

I explore the medium of drawing in different ways. Paper sheets printed and rolled become columns or tree trunks. The viewer can wander around the drawings, as if walking in a printed forest. In another work, I use a polyhedron with diamond facets and these unfold from an empty shape within the drawing. The sculptural aspect reminds me of an object brought back from an uncanny world where the entropy creates ruins shaped like a diamond.

In the manner of Rorschach stains, I fold and unfold forms and images, so that the viewer can project their own world. My drawing are inspired by English landscape painting of the eighteenth and nineteenth centuries. These landscapes of another time operate like a portal through which I am drawn on a mindful journey.


Info

Info

  • Noémie Doge
  • MA Degree

    School

    School of Humanities

    Programme

    MA Goldsmithing, Silversmithing, Metalwork & Jewellery, 2014

  • Unfolded

     I make drawings to escape from reality. Each pencil stroke erases daily life and creates a new world. Dragons, spiders and birds appear and talk to me. They keep me company during the entire process. Their appearance calms me down. They have chosen me.

    I explore the medium of drawing in different ways. Paper sheets printed and rolled become columns or tree trunks. The viewer can wander around the drawings, as if walking in a printed forest. In another work, I use a polyhedron with diamond facets and these unfold from an empty shape within the drawing. The sculptural aspect reminds me of an object brought back from an uncanny world where the entropy creates ruins shaped like a diamond.

    In the manner of Rorschach stains, I fold and unfold forms and images, so that the viewer can project their own world. My drawing are inspired by English landscape painting of the eighteenth and nineteenth centuries. These landscapes of another time operate like a portal through which I am drawn on a mindful journey.

  • Degrees

  • BA Gerrit Rietveld Academy, Amsterdam, 2007; University of Art and Design, Geneva, 2002–2004
  • Experience

  • Guest lecturer, Sheffield Hallam University, Sheffield, 2014; Guest lecturer, Hertfordshire University, 2013; Pedagogical assistant, Jewellery Design department, Art and Design University (HEAD), Geneva, 2010–2012 ; External examiner, Art and Design University, Geneva, 2008–2012; Initiator and co-organiser, B-Side DownTownArtJewellery Festival, Amsterdam, 2010–2011
  • Exhibitions

  • Work-in-progress Show, Royal College of Art, London, 2014; Swiss Jewellery, Pavillon Le Corbusier, Paris, 2013; Bijoux!, Norton Museum, USA, 2013; Virtual Insanity, Goldsmiths’ Centre, London, 2013; Effe Kijken 5, Marzee Gallery, Nijmegen, 2013; Schmuck ohne Grenze, Bellerive museum, Zürich, 2012; Work-in-progress Show, School of Material, Royal College of Art, London, 2013; Object Art Fair with Louise Smit Gallery, Rotterdam, 2012; Watchmaking in Geneva: contemporary jewellery, Rath Museum, Geneva, 2012; Monomater, Sofa Art and Object Fair, Chicago, 2011; Stop Time, solo exhibition, Caroline Van Hoek Gallery, Brussels, 2011; Llyod Hotel + Op Voorraad, Amsterdam, 2011; Décor, Design et Industrie, Art and History Museum, 2010; Taiwan Designer’s week, Op vooraad, Taiwan, 2010; Min, B-side DownTownArtJewellery Festival, Amsterdam, 2010; Swiss Jewellery, Galerie SO, Solothurn, London, 2010; European Price of Applied Art, WCCBF, Mons, 2009; Podosphaïrophilie, Contemporary Art Center, Geneva, 2009; Black & White, Tactile Gallery, Geneva, 2009
  • Awards

  • Barbour Grant, Geneva, 2013; Barbour Grant, Geneva, 2012; Ikea Grant, Zürich, 2011; Bourse Lissignol, Chevalier and Galland 2010, CAC, Geneva, 2009; Nominated, European Prize for Applied Arts, Mons, 2009; So Fresh Award, Talent Winner, Vienna, 2008; Award of the Art Gallery of Legnica, 2008; Marzee Graduate Price, Marzee Gallery, Nijmegen, 2007; First prize, International Graduate Fair, Midora, Leipzig, 2007
  • Conferences

  • 2007–2013, Hertfordshire University, Hatfield, 2013 ; Into the World II, L-imprimerie, Lausanne, 2012; Into the World I, Cranbrook Academy of Art, Michigan, 2011; B-side Festival, HEAD, University of Art and Design, Geneva, 2011
  • Publications

  • Showcase 500 Art Necklaces, Lark Crafts, 2013; Criss+Cross: Design from Switzerland, Pro Helvetia in association with the school of Art&Design Korea University, 2012; Décor, Design et Industrie, Les arts appliqués à Genève, Art and History Museum, Geneva, 2010 ; European Applied Art, Mons, WCCBF, 2009 ; Laboratoire I, Catalog, Caroline Van Hoek Gallery, Bruxelles, 2009 ; From Hand to Hand, mudac (museum of Contemporary Design and Applied Arts), Lausanne, 2008 ; So Fresh Award, exhibition catalogue and DVD, Vienna, 2008; Triennale Européenne du Bijou Contemporain, WCCB, 2008