Guendalina Cerruti
MA work
MA work
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I Never Meant To Hurt You, Guendalina Cerruti 2016 - 2017
Different Mediums
Variable size | Photographer: Guendalina Cerruti -
Looking Cute, Wooden board on duvets, Guendalina Cerruti 2016 - 2017
Different Mediums
H:50 cm W:180 cm D:50 cm | Photographer: Jack Carvosso -
Looking cute, Metal chair on duvet, Guendalina Cerruti 2016
Different Mediums
H: 96 cm W: 56 cm D: 50 | Photographer: Jack Carvosso -
The Cutest Painting, Guendalina Cerruti 2015 - 2016
Acrylic colors on canvas
H:70 cm W:50 cm | Photographer: Dominic Tschudin -
Complacent behaviour, Composition of trees on a table with a pink skirt, Guendalina Cerruti 2015
Different Medium
H:80 cm W:50 cm D:50 cm | Photographer: Dominic Tschudin -
Complacent behaviour, Guendalina Cerruti 2015 - 2016
Different Mediums
variable size | Photographer: Dominic Tschudin -
FR 1, Dual Incu-i., Guendalina Cerruti 2015
Different Mediums
Variable size | Photographer: Filippo Armellin -
I-ME with rope, Guendalina Cerruti 2015
2 polyester fabric shapes, gravel, pink plastic rope.
H:8 cm W:45 cm D:87 cm | Photographer: Filippo Armellin -
Portrait of a bundle 2, Guendalina Cerruti 2015
Acrylic colors on canvas
H:70 cm W:50 cm | Photographer: Filippo Armellin
I NEVER MEANT TO HURT YOU.
I’m interested in the practice of self documentation, in investigate myself as a cultural and social subject following the process of my personal experiences in order to reprocess and reset them in new compositions of thoughts, feelings and events creating new micro universes with new space-time logics and connections.
By considering my practice as an experience of language, I’m interested in understanding its manifestation as a tension toward the outside and the other and so to understand its development in relation to the experience of the individual in the contemporary cultural and social conditions.
Dramma, carefree, confidence, coolness, cutiness, hopefulness, sadness, selfie. Are people ready to loose their cultural identity? Has anybody seen my love? Disappointed affection, mawkishness, weakly emotional, overemotional, so banal, self-esteem, MILLENIALS, socially awkward, framing, editing, composing, political correctness,
how much attraction or revulsion we can feel in front of the representation of emotions. Should I show you how horrible I am?. What do you see when you see me?. I might just say how I feel!
Info
Info
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MA Degree
School
School of Humanities
Programme
MA Sculpture, 2017
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Contact
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+44 (0)7493 215333
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I’m interested in the practice of self documentation, in investigate myself as a cultural and social subject following the process of my personal experiences in order to reprocess and reset them in new compositions of thoughts, feelings and events creating new micro universes with new space-time logics and connections.
By considering my practice as an experience of language, I’m interested in understanding its manifestation as a tension toward the outside and the other and so to understand its development in relation to the experience of the individual in the contemporary cultural and social conditions.
Drama, carefree, confidence, coolness, cuteness, hopefulness, sadness, selfie. Are people ready to loose their cultural identity? Has anybody seen my love? Disappointed affection, mawkishness, weakly emotional, overemotional, so banal, self-esteem, Millennials, socially awkward, framing, editing, composing, political correctness. How much attraction or revulsion we can feel in front of the representation of emotions. Should I show you how horrible I am? What do you see when you see me? I might just say how I feel!
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Degrees
- BA Fine Art, NABA – Nuova Accademia di Belle Arti, Milan, IT, 2014; Fine Arts short course at University of the Art London – Central Saint Martins College of Art & Design, 2012
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Exhibitions
- Herland, Group show, Bosse & Baum, London, United Kingdom, 2017; St.James, Group show, curated by Bianca Stoppani, private house, Largo Cavour, Menaggio (CO), Italy, 2016; Homework, Group show, curated by Samuele Menin, Galleria Arrivada, Milan, Italy, 2015–2016; Guendalina, Solo show, Studiolo, Milan. curated by Maria Chiara Valacchi, 2015