The programme pursues regeneration and development by constantly adapting to the realities and needs of the designers of the future. We see this as a positive challenge and an inspiration to all the work we undertake.
Harriet de Roeper....continue
I’d always had an interest in textiles and colour, but never really had the chance to explore the surface design side of fashion as much as I’d wanted. And, as much as I enjoyed textiles and surface design, I never felt like I wanted to just do textiles.
My main reason for coming to the RCA was to develop my study about fashion. I’d already done a BA but needed to go further. The RCA has good connections with the Tsinghua Academy of Arts and Design, one of China’s top fashion design schools. China doesn’t have many of good design schools like it.
The Development of Therapeutic Garments by Applying the Concepts of Traditional Chinese Medicine
Hye Eun Kim
Ambiguity of Seamlessness: Exploring the Aura of Style
The Structure of Garments and the Structure of Chinese Cultural Identity
Stealth Attire Hard Graphics/ Soft Ergonomics
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