I am interested in the materiality of glass in both physical and metaphorical dimensions. In particular, the fluidity of molten glass allows the maker some control while accepting the element of chance at the same time, which is compared with the nature of hybridity and diversity in my research.


The glassmaking process in my work is a way of stylising by abstracting visual elements that are associated with specific cultures. The notion of in-betweeness has been investigated through the analogy drawn from the literal and interpretational dialogue between glass and culture.